Improve Your Practice! Piano, Grade 4 Cover Image

Improve Your Practice! Piano, Grade 4: Piano Book

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Improve Your Practice! Piano, Grade 4 Cover Image

Improve Your Practice! Piano, Grade 4: Piano Book

By Paul Harris

Level: Early Intermediate

Item: 12-0571522645

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Description
This new series from Paul Harris builds on his previous series' 'Improve Your Scales' and 'Improve Your Sightreading'. 'Improve Your Practice Grade 4' begins by encouraging students to plan their practice sessions. starting with warm-ups and then giving tips on how to 'explore a piece'. This book will encourage children to think about different aspects of their music as they play giving them a better musical understanding of their pieces and also encourages independent thought and exploration.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
Page Count: 24
ISBN10: 0-571-52264-5
ISBN13: 978-0-571-52264-4
UPC: 9780571522644
SKU: 12-0571522645

More about this title

About the Author: Paul Harris

Paul Harris

Paul Harris trained at the Royal Academy of Music and the University of London, then built an international profile as one of Britain's most influential music pedagogues. His catalogue exceeds 500 publications, including the landmark Improve Your Scales and Improve Your Sightreading series. He developed Simultaneous Learning, a teaching methodology now used globally, and continues to shape instrumental and vocal instruction through workshops across the UK, USA, and Asia. His work is defined by rigor paired with creative problem-solving.

Published exclusively by Faber Music, Harris writes regularly on music education and brings decades of classroom experience into every book he creates. His teaching philosophy centers on practical musicianship: students don't just play the notes, they understand why those notes matter.

Why we love this

This book treats practice as a learnable skill rather than something students should already know how to do. Harris structures the work around actual planning and exploration techniques that students can apply immediately to whatever piece they're learning, making it far more useful than generic practice advice. The Grade 4 level bridges the gap between early technical work and the independence young pianists need to tackle more complex repertoire.

What to expect

Practical and empowering. Rather than prescribing a rigid practice routine, the book invites students to think like musicians making deliberate choices about their work. The tone is conversational and encouraging, treating young pianists as thoughtful people capable of understanding their own learning.

Who it's for

Early intermediate pianists ready to take ownership of their learning, particularly those who practice without clear direction or struggle to know where to focus their time. This book works equally well for piano students in a private studio and those in group lessons seeking a shared language about practice methodology.

How to get the most out of it

  • Begin each session with the warm-up suggestions provided, not as obligatory busywork, but as a genuine diagnostic tool that tells you what your hands need that day.
  • Work through the 'explore a piece' framework sequentially as you introduce a new work to students; resist the urge to jump straight to performance speed.
  • Have students write their own practice plans in the margins or a notebook before they sit down to play, naming one specific aspect of the music they want to understand better.

How to use it

Integrate this into the first few weeks of the academic year as a curriculum foundation, especially for students entering early intermediate level who may be practicing haphazardly. The planning and exploration habits established here will carry forward through every piece they learn for years afterward, making it an investment in independent musicianship rather than a supplementary workbook.

Skills your students will build

  • Structuring efficient practice sessions with warm-ups and focused goals
  • Analyzing musical pieces before attempting performance tempo
  • Identifying and isolating technical or interpretive challenges
  • Developing independent problem-solving at the piano
  • Building musical understanding through deliberate exploration rather than mechanical repetition

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