Igneous Cover Image

Igneous: HybridNOW Concert Band Conductor Score & Parts

$65.00 USD
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Igneous Cover Image

Igneous: HybridNOW Concert Band Conductor Score & Parts

By Sarah Siegler

Grade: 1

Item: 00-50396H

$65.00
HybridNOW

Included with this title

  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
Igneous, by Sarah Siegler, is a fiery work for concert band. It starts with an energetic flourish, and then the low brass sections get the first chance at the melody. The piece has a driving melody in a minor key and exciting rhythms that will challenge and engage second-year band students. The percussion parts keep everyone involved and on the edge of their seats. The word "igneous" means "fiery," and the piece describes the hot, fiery rock from start to finish!

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Additional Details
Series: Developing Band
Publisher: Alfred Music
ISBN10: 1-4706-8710-0
ISBN13: 978-1-4706-8710-6
UPC: 038081621036
SKU: 00-50396H

More about this title

About the Composer: Sarah Siegler

Sarah Siegler

Sarah Siegler brings two decades of ensemble directing experience to her work as a composer and music educator. Her background spans string orchestra leadership across Connecticut and Wisconsin, combined with performance experience in trumpet, violin, choir, and various ensemble settings. These diverse musical touchstones inform her approach to writing for young musicians.

As owner of Grand Mesa Strings and an active composer, Siegler prioritizes creating works that build student musicianship while remaining genuinely enjoyable to perform. She holds degrees in music education from both St. Olaf College and VanderCook College of Music in Chicago, grounding her compositional choices in pedagogical insight.

Why we love this

Igneous captures that sweet spot where program music actually serves the ensemble's growth. The low brass get immediate musical responsibility with the opening melody, which means every section feels invested from measure one. Second-year bands often struggle with ownership of faster passages and driving rhythms, but Siegler's writing makes those challenges feel like part of the narrative rather than obstacles to overcome.

What to expect

Igneous pulses with restless energy, mimicking the heat and motion of molten rock. The minor key and steady rhythmic drive create forward momentum that never lets the listener settle, while the low brass foundation provides a solid anchor beneath the swirling excitement.

Who it's for

Second-year concert band students ready to tackle a work with real melodic responsibility and rhythmic engagement. This piece works well for groups that need to build confidence in fast passages and driving ensemble playing without sacrificing musicality.

How to get the most out of it

  • Bring out the low brass melody in the opening section with clear articulation and a confident sound; this is their moment to establish the piece's character.
  • Keep the percussion engaged and energized throughout; their rhythmic energy directly fuels the ensemble's forward momentum.
  • Lock in the driving rhythms with a steady pulse; the excitement of this piece depends on rhythmic precision rather than pushing the tempo.
  • Balance the energetic flourish at the start against the minor-key melody that follows; let each section breathe so the contrast feels intentional.

How to use it

This work fits perfectly on a spring concert as a contrasting anchor piece alongside slower selections, or as an opener that grabs attention immediately. Its programmatic nature also makes it ideal for thematic concerts about nature, geology, or the power of musical storytelling.

Skills your students will build

  • Leading a section with confidence on a sustained melodic line
  • Executing driving rhythms with precision in a minor tonality
  • Balancing individual responsibility with ensemble cohesion
  • Responding to programmatic imagery through dynamic and articulation choices
  • Building rhythmic accuracy across varied instrumental combinations

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