If We Ever Needed the Lord Before (We Sure Do Need Him Now) Cover Image

If We Ever Needed the Lord Before (We Sure Do Need Him Now): Choral Octavo SoundTrax CD

$21.95 USD
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If We Ever Needed the Lord Before (We Sure Do Need Him Now) Cover Image

If We Ever Needed the Lord Before (We Sure Do Need Him Now): Choral Octavo SoundTrax CD

Words and music by Thomas A. Dorsey / arr. Robert Sterling

Item: 00-CDM05040

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Description
Thomas A. Dorsey is one of the most significant contributors to our country's gospel music tradition. This Dorsey classic has been recorded by many choirs, gospel quartets, and most recently, by the contemporary vocal ensemble Take 6. This Robert Sterling arrangement is full of gospel choral sound, as well as wonderful contemporary harmonies identified with groups like Take 6.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979097488
SKU: 00-CDM05040

More about this title

About the Composer: Thomas A. Dorsey

Thomas A. Dorsey (1899-1993) shaped American gospel music as a composer, arranger, and musician whose output defined the genre for generations. Born in Atlanta and active across Chicago's South Side, Dorsey bridged blues, jazz, and sacred tradition, creating songs that became standards in churches and concert halls alike. His prolific catalog and distinctive harmonic language established him as the "Father of Gospel Music," and his work continues to anchor choral repertoire across denominations and performance contexts.

Dorsey's compositions combine accessibility with harmonic sophistication. His melodies lodge easily in the ear while his voicings invite imaginative interpretation. Teachers and directors return to Dorsey not for historical completeness but because his music engages singers and audiences with equal power. Choirs performing Dorsey discover both the roots of contemporary gospel sound and a musical foundation that teaches them about blues inflection, call-and-response architecture, and the emotional directness that defines the tradition.

Why we love this

Robert Sterling's arrangement captures the richness of Dorsey's gospel foundation while layering in the contemporary harmonic language that made Take 6 distinctive. Your choir gets to inhabit a genuine gospel classic without sacrificing the textural sophistication that keeps advanced singers engaged. The SoundTrax accompaniment supports independent learning and gives singers a reliable rehearsal tool.

What to expect

Urgent and grounded. The text carries a quiet plea that gains power through repetition and harmonic layering, building from intimate vulnerability to collective witness. Sterling's voicings create moments of lush color alongside moments of lean, focused simplicity, letting the spiritual weight of Dorsey's words move through the music.

Who it's for

Choirs with singers ready to engage contemporary harmonies and gospel inflection. This arrangement suits intermediate to advanced ensembles seeking authentic repertoire that connects to a living musical tradition rather than a museum piece. Youth choirs, community gospels groups, and concert choirs programming sacred music will all find singers activated by Dorsey's melodic gift and Sterling's modern harmonic approach.

How to get the most out of it

  • Anchor the rhythm section feel early. The gospel pocket depends on precise, relaxed interaction between bass and drums on the recording; have your singers lock into this groove during the first run-throughs so the part-singing sits securely on top.
  • Shape the contemporary harmonies with intention. Sterling's voicings ask for clarity in upper register movement; resist the urge to blend these away. Let each line breathe so listeners hear the harmonic color.
  • Emphasize call-and-response phrasing, particularly in any sections marked with antiphonal textures. Gospel tradition lives in the dialogue between soloist and ensemble, so mark these moments distinctly in rehearsal.
  • Use the recorded accompaniment to isolate your voice parts individually if singers are new to contemporary gospel harmony. Then rehearse with the full track so they experience how their line interacts with the groove.

How to use it

Program this as a centerpiece in a gospel or sacred music concert, or use it as the bridge piece that connects your season of classical repertoire to contemporary spirituals. The combination of historical significance and modern sound makes it effective during services or special observances where your choir needs to reach across generations. Pair it with other Dorsey compositions or contemporary arrangements to build a thematic program around gospel tradition.

Skills your students will build

  • Reading and executing contemporary jazz harmonies (extended chords, chromatic movement)
  • Singing with gospel articulation and phrasing (syncopation, rhythmic freedom within pulse)
  • Blending independent vocal lines in complex harmonic contexts
  • Responding to call-and-response textures with precision and musicality
  • Understanding the harmonic language that connects blues, jazz, and sacred music traditions

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