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Ichabod Fanfare: Concert Band Conductor Score & Parts

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Ichabod Fanfare Cover Image

Ichabod Fanfare: Concert Band Conductor Score & Parts

By Brian Balmages

Grade: 5

Item: 98-B1460

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Description
This dynamic and contemporary fanfare combines elements from Schumann’s George Washington Bridge and Copland’s Lincoln Portrait. Premiered at the Kennedy Center, this work for mature ensembles spins a web of fanfare themes and lyrical melodies that all converge on each other in a massive statement of power and triumph. Outstanding!

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Additional Details
Series: FJH Symphonic Band
Publisher: The FJH Music Company, Inc.
UPC: 674398227969
SKU: 98-B1460

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor working fluently across orchestral, band, and chamber idioms. His works have been heard in major venues including Carnegie Hall, the Kennedy Center, Sydney Opera House, and Toronto Centre for the Arts, performed by ensembles spanning from professional orchestras to elementary school groups.

Among his many honors, Balmages received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest for Love and Light. He holds membership in the American Bandmasters Association and earned the inaugural James Madison University Distinguished Alumni Award. His music was performed during the 2013 Presidential Inaugural Prayer Service, and he has been commissioned to compose for significant institutional events, including the inauguration of the University of Miami's sixth president. As a guest conductor, he maintains active relationships with all-state ensembles, university groups, and professional orchestras worldwide.

Why we love this

Balmages constructs this fanfare with sophisticated layering, weaving together contrasting thematic material that feels both contemporary and rooted in American musical tradition. The work moves beyond simple bombast; it earns its moments of triumph through careful orchestration and structural integrity, making it a genuine asset for festivals and contests rather than a novelty piece. A Grade 5 band that can execute this with precision will have a polished, memorable contest performance.

What to expect

The piece unfolds like a procession of ideas, each contributing to an expanding sense of occasion and grandeur. Moments of austere, sharp-edged fanfare give way to singing melodic passages that feel intimate despite the full ensemble texture, creating a dynamic arc that culminates in a sweeping statement of affirmation.

Who it's for

Grade 5 concert bands with secure fundamentals across all sections and the maturity to handle both delicate lyrical writing and forceful ensemble playing. This work suits mature high school groups, strong middle school honors bands, and college ensembles seeking a contest piece with musical substance.

How to get the most out of it

  • Balance the fanfare voices across sections so thematic material remains audible during tutti passages; resist the temptation to let dynamics flatten in the loudest moments.
  • Shape the lyrical melodies with genuine phrasing and direction, treating them as songs rather than accompaniment figures.
  • Mark clear section transitions and cues in all parts; the convergence points require ensemble unity and confidence.
  • Approach the final statement of power with structural control; let the crescendo build from a foundation of rhythmic precision rather than interpretive excess.

How to use it

Program this as a standalone contest entry or as an opener to a concert program where you need to establish energy and momentum. Its Kennedy Center premiere pedigree and contemporary musical language pair well with other 20th-century American works, or it can anchor a program built around themes of national expression and triumph.

Skills your students will build

  • Sustaining balance and blend during complex tutti passages
  • Playing lyrical material with musicality and direction within a large ensemble
  • Executing precise entrances and releases at structural turning points
  • Managing dynamic contrast and ensemble control across the full range of the concert band
  • Responding to sophisticated orchestration that requires sectional independence

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