Ia Ora! (Tahitian for "Hello"): 3-Part Mixed Choral Octavo

$1.40 USD

Ia Ora! (Tahitian for "Hello"): 3-Part Mixed Choral Octavo

Name: Ia Ora! (Tahitian for "Hello"): 3-Part Mixed Choral Octavo
Brand: Alfred Music
SKU: 00-19283
Price: 1.40 USD
Availability: InStock

Music by Dave and Jean Perry

Item: 00-19283

$1.40

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A trip to Polynesia inspired Dave and Jean Perry to compose this authentic-sounding choral work based on the traditional rhythms and harmonies of the South Pacific. It's a cross-cultural number written especially for young and developing choral groups. There are opportunities for soloists on several brief, optional solos. Add percussion to make it even more genuine; percussion parts are included in the publication. Or use the lively SoundTrax CD. P.S.: "Ia Ora" means "hello." Included on Sally's "In the Spotlight!" Video, #19803.

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Series: Alfred Choral Designs

Publisher: Alfred Music

Page Count: 12

UPC: 038081179285

SKU: 00-19283

Instrumentation: Opt. Percussion

More about this title

About the Composer: Dave Perry

Dave Perry is a composer and arranger with a gift for making world music accessible to young singers. His work draws inspiration from real cultural traditions, which he translates into settings that respect the source material while remaining achievable for developing choirs.

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Why we love this

Authentic Polynesian rhythms and harmonies feel genuinely rooted in South Pacific music rather than surface-level exoticism. The optional soloists and percussion parts transform a straightforward three-part arrangement into an ensemble experience that rewards every voice and adds another dimension without requiring specialized musicians.

What to expect

Warm and inviting, like stepping into a gathering where rhythm and melody speak a universal language. The traditional harmonies and syncopated rhythms create movement and energy without overwhelming less experienced singers.

Who it's for

Young and developing choral groups seeking repertoire that teaches musicianship while celebrating global traditions. Directors looking for a secular piece with built-in flexibility—it works with voices alone, with optional soloists, or with the full percussion complement.

How to get the most out of it

Anchor the rhythmic feel by having the rhythm section (and optional percussion) establish the traditional South Pacific pulse from the opening; the harmonic movement will settle into place once the foundation is solid.
Shape the optional solos as moments of genuine dialogue rather than interruptions; they work best when the surrounding ensemble voices remain engaged and responsive.
If including the optional percussion parts, begin rehearsals with just voices and hand percussion (clapping the basic rhythm) before adding pitched or unpitched instruments, so singers own the groove first.

How to use it

Program this as an opener or closer for a concert celebrating world music, or pair it with other multicultural selections to build a themed set. Its accessibility and joyful character make it an excellent choice for spring or summer concerts where you want to leave the audience smiling.

Skills your students will build

Reading and maintaining non-traditional rhythmic patterns based on South Pacific traditions
Three-part mixed voicing independence in SAB texture
Stylistic interpretation of world music idioms with authentic rhythmic feel
Ensemble coordination between singers and optional percussion