I Will Sing: 3-Part Choral Octavo
Words and music by Andy Beck
Item: 00-PO-0005575
$2.05
Minimum order quantity: 20 copies
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Description
A nature-inspired text reveals beautiful music all around "and if you listen closely," even inside of yourself. Andy's craftsmanship and artistic fingerprint is evident throughout---from the sparkling piano introduction and hushed opening phrase, to the memorable refrain, ascending bridge, and most surprising finish. Not to be missed!
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0005575
More about this title
About the Composer: Andy Beck
Andy Beck leads Alfred Music's choral publications division and has established himself as one of the most performed composers in school music today, with over 450 works spanning choral repertoire, vocal method books, and musical theatre. His compositions appear regularly in festival and contest programs across the country, and a simple YouTube search reveals his music being performed by singers of every age and skill level. Beck's dual expertise as both composer and educator shapes everything he writes; he holds degrees in Music Education from Ithaca College and Northwest Missouri State University and serves regularly as a guest conductor and clinician for honor choirs and all-state groups throughout the Southeast.
Beyond his publishing work, Beck maintains an active performance life as a tenor soloist, musical theatre director, and member of the North Carolina Master Chorale Chamber Choir. His methodological contributions to choral music education include the widely adopted sight-singing curriculum Sing at First Sight and the technique-focused collection Vocalize! 45 Vocal Warm-Ups That Teach Technique. This integration of artistry, pedagogy, and prolific output defines his work at Alfred.
Why we love this
Beck's gift for memorable melodic writing shines here without overcomplicating the technical demands on a three-part ensemble. The piece balances transparency of texture with genuine compositional ambition, moving from a poetic opening through a refrain that singers will actually want to repeat and an ascending bridge that builds real momentum. The recorded accompaniment option makes this accessible for directors managing limited rehearsal time while the contest/festival designation signals that this holds up under adjudication.
What to expect
The piece opens in hushed contemplation, almost inviting the listener inside a private moment of reflection. As it progresses, layers of melody and harmony unfold with growing confidence, arriving at moments of genuine warmth and light before Beck pulls off something unexpected at the finish.
Who it's for
Three-part choirs ranging from middle school through early high school will find this accessible without feeling simplistic. The work suits festivals, concerts, or contest performance equally well.
How to get the most out of it
- Start the hushed opening phrase with genuine breath control; this quiet opening sets the introspective tone that makes the later climax effective. Avoid letting the singers rush into the sound.
- Shape the ascending bridge with rising intensity in both dynamics and tone quality. The architecture of this section is the piece's structural spine.
- Balance the piano introduction so it establishes the sparkling quality without overwhelming the choir's entry. The accompaniment should frame, not dominate.
- The surprising finish rewards precise ensemble work. Rehearse this section separately to ensure all voices move together toward whatever Beck intends for the ending.
How to use it
Pair this with other nature-inspired repertoire for a thematic concert, or use it as a sophisticated closer to a program where its introspective quality and emotional arc provide satisfying resolution. The recorded accompaniment makes it a reliable choice for spring festival participation without requiring extensive pit or accompanist coordination.
Skills your students will build
- Sustaining quiet, controlled tone in the lower dynamics
- Balancing three independent melodic lines while maintaining harmonic blend
- Reading and executing musical architecture across a bridge section with ascending intensity
- Responding to stylistic contrasts between intimate and climactic moments