I Was Born for This Cover Image

I Was Born for This: Concert Band Conductor Score & Parts

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I Was Born for This Cover Image

I Was Born for This: Concert Band Conductor Score & Parts

For Soloist with Band Accompaniment

By Austin Wintory / arr. Roland Barrett

Grade: 3 (Medium Easy)

Item: 00-39558

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Description
Originally composed by Austin Wintory for the video game Journey, for solo voice with accompaniment, this arrangement also permits the solo to be performed by trumpet, or alto saxophone as we've done on this recording. (4:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, I Was Born for This: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 128
UPC: 038081457932
SKU: 00-39558

More about this title

About the Composer: Austin Wintory

Austin Wintory is a composer specializing in interactive and narrative music for video games and film. His work on Journey (2012) earned critical acclaim for its emotional depth and orchestral sophistication, establishing him as a leading voice in game music composition. His scores emphasize melody and harmonic progression that serve the emotional arc of the story.

Why we love this

This arrangement brings a contemporary cinematic quality to the concert band, proving that modern game music can stand alongside classical repertoire in terms of musicality and sophistication. The flexible solo option (voice, trumpet, or alto saxophone) means you can showcase different soloists without programming multiple pieces, and the Grade 3 setting makes it accessible without sacrificing the lush harmonic language that made the original memorable.

What to expect

Soaring and introspective by turns, with melodic writing that emphasizes long, singing lines and harmonic warmth. The arrangement evokes the contemplative beauty of the original while giving the concert band the tools to build emotional intensity through orchestral layering.

Who it's for

Concert bands at the Grade 3 level looking to program contemporary music that engages student musicians and audiences alike. Directors seeking a featured solo vehicle that allows flexibility in instrumentation and offers students an introduction to arranging principles and modern composition.

How to get the most out of it

  • Balance the solo line with care so it speaks over the ensemble texture; game music often features prominent melody that can get buried if the band plays too loudly.
  • Shape the accompaniment as a unified harmonic progression rather than separate instrumental lines. This reinforces the song-like quality of the piece.
  • Use the recording as a reference for pacing and phrasing, particularly during transitions and the emotional peak of the arrangement.
  • Allow your soloist adequate rehearsal with the ensemble to establish trust and breathing room; the interplay between solo and band is central to the piece's impact.

How to use it

Program this as a standalone feature that bridges classical and contemporary repertoire, or use it to open a program and establish an emotionally reflective tone before moving into traditional concert band fare. The moderate length and emotional accessibility make it ideal for community concerts where you want to surprise audiences with a recognizable, singable melody in an unexpected ensemble context.

Skills your students will build

  • Balancing solo and ensemble textures
  • Sustaining long melodic phrases with consistent tone and intonation
  • Responding to harmonic progression in accompaniment writing
  • Performing with stylistic flexibility (adapting classical band technique to contemporary idiom)
  • Understanding arrangement principles and orchestration at a foundational level

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