I've Been Everywhere Cover Image

I've Been Everywhere: SoundTrax Digital Audio Download

$27.99 USD
Sale price  $27.99 USD Regular price 
Skip to product information
I've Been Everywhere Cover Image

I've Been Everywhere: SoundTrax Digital Audio Download

Words and music by Geoff Mack / arr. Jay Althouse

Item: 00-A-00015056

$27.99
Digital Download
Description

I've Been Everywhere: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015056

More about this title

About the Composer: Geoff Mack

Geoff Mack is an Australian country music singer and songwriter best known for "I've Been Everywhere," a novelty hit that became a cross-genre standard. The song's catalog structure and witty lyrics have made it a perennial favorite in popular music education and performance settings.

Mack's work demonstrates how country music can transcend its original context and appeal to diverse audiences, making his compositions valuable additions to choral libraries seeking contemporary material with broad appeal.

Why we love this

Jay Althouse's arrangement captures the relentless, rollicking energy of this novelty song while keeping it playable for high school and community choirs. The piece rides on infectious rhythmic momentum and clever lyrical delivery, giving singers a chance to build ensemble precision through repetitive harmonic and rhythmic material that rewards tight ensemble work. It's the kind of crowd-pleaser that reminds audiences why choirs perform contemporary music.

What to expect

Buoyant and propulsive, with the infectious momentum of a road song. The piece captures the playful spirit of the original recording while giving singers room to land the humor and catalog of place names that anchor the arrangement. There's genuine joy in nailing the rhythm together.

Who it's for

High school choirs and community choir singers looking for energetic contemporary repertoire that connects with general audiences. Directors seeking a piece that builds ensemble cohesion through rhythmic precision and lyrical fun without requiring complex harmonic or melodic sophistication.

How to get the most out of it

  • Lock the rhythm section (bass and drums from the accompaniment) early in rehearsal so singers feel the propulsive pocket the arrangement demands.
  • Approach the long list of place names as a rhythmic and articulation exercise rather than a lyrical challenge; clarity of diction at tempo will make the humor land.
  • Balance energy across all four rehearsals so the piece doesn't lose steam by performance night; novelty songs require sustained enthusiasm, not peaked enthusiasm.

How to use it

Program this as a high-energy opener or second piece on a concert featuring lighter contemporary material alongside more traditional selections. It also works well as a closer for a pop or secular show, leaving audiences smiling and energized. The novelty factor makes it an effective palate cleanser between more serious repertoire.

Skills your students will build

  • Rhythmic precision in fast-moving contemporary arrangements
  • Diction and lyrical clarity at tempo
  • Ensemble cohesion through rhythmic unison
  • Stylistic interpretation of country-influenced popular music

You May Also Like