I Thought About You Cover Image

I Thought About You: Choral Octavo SoundTrax CD

$27.99 USD
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I Thought About You Cover Image

I Thought About You: Choral Octavo SoundTrax CD

Words by Johnny Mercer, music by Jimmy Van Heusen / arr. Paul Langford

Item: 00-43403

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Description
"I took a trip on a train, and I thought about you." This famous Mercer lyric was actually written while he was taking a train to his next gig. With a fun bossa nova feel throughout, this is a true Great American Songbook classic re-imagined!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081506005
SKU: 00-43403

More about this title

About the Composer: Jimmy Van Heusen

Jimmy Van Heusen (1913-1990) composed over a thousand songs and won four Academy Awards for Best Original Song. His output spanned radio, film, and the Broadway stage, and his melodies became foundational to the Great American Songbook. Van Heusen's gift was writing instantly memorable, sophisticated lines that served both singers and ensembles equally well.

As a composer for Hollywood's golden age, Van Heusen worked with lyricists including Johnny Burke and Sammy Cahn, crafting standards that have endured for decades. His harmonic language balanced accessibility with musical substance, making his work perpetually appealing to music educators seeking quality material that students actually enjoy performing.

Why we love this

Paul Langford's arrangement captures the urbane sophistication of the original while making it genuinely fun for singers to learn and audiences to hear. The bossa nova rhythm gives the standard enough contemporary flavor to feel fresh without overshadowing the melody, and the recorded accompaniment allows singers to focus on phrasing and blend rather than fighting to keep time.

What to expect

Breezy and contemplative in equal measure, this arrangement whisks listeners onto that same train with a warm, sophisticated groove underneath. The melody floats above a gently propulsive Latin rhythm, creating space for singers to shape phrases while the accompaniment keeps everything moving forward with understated elegance.

Who it's for

High school and college choirs seeking repertoire that fits comfortably in concert programs while feeling contemporary and energized. Ensembles with solid rhythm section preparation will find the bossa nova idiom both accessible and musically rewarding.

How to get the most out of it

  • Treat the bossa nova groove as the foundation of your tuning work. The Latin rhythm will pull singers slightly flat if they're not thinking about vertical alignment within each harmonic moment, so spend rehearsal time locking that pocket before polishing tone quality.
  • Find the conversational quality in Mercer's lyric. This song works best when singers understand the casual, reflective tone of the text; avoid over-singing early verses and save drama for the bridge.
  • Balance the groove with vowel consistency. The rhythmic energy can encourage singers to shift vowels or rush diphthongs. Slow down the tempo in rehearsal and anchor vowels before you bring the tempo back up.
  • Let the recorded accompaniment drive your rehearsal prep. Use it to establish the groove early, then strip it away for a cappella sectionals so singers build internal rhythmic security rather than dependence.

How to use it

Pair this with other standards or pops selections to build a set that celebrates American songwriting without feeling retro. The bossa nova flavor also makes it an effective bridge between traditional choral concert fare and contemporary styles, working especially well in spring or informal concerts where the lighter mood lands naturally.

Skills your students will build

  • Rhythmic precision in a Latin groove (bossa nova feel)
  • Balancing lyrical phrasing with strict rhythmic alignment
  • Intonation and tuning within a syncopated harmonic context
  • Interpretation of standard repertoire with understated sophistication
  • Blend and balance in an accompanied arrangement

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