I Sing, You Sing, Too! Cover Image

I Sing, You Sing, Too!: SoundTrax CD

$34.95 USD
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I Sing, You Sing, Too! Cover Image

I Sing, You Sing, Too!: SoundTrax CD

30 Echo Songs for Young Singers

By Sally K. Albrecht and Jay Althouse / orch. Tim Hayden

Grade: K--4

Item: 00-28853

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Description
Who can resist the temptation of singing an echo? And what a perfect way to develop independent singing and listening skills in your young students. These 30 echo songs encompass a wide variety of subjects, including seasons and holidays, yodeling, growing up, homonyms, solfège, and more! Singers may echo the leader provided on the SoundTrax CD or take turns being leaders themselves. Recommended for grades K-4. Chord symbols and suggested classroom activities provided. SoundTrax CD includes two versions of each song performance with a leader and accompaniment only.

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Additional Details
Series: I Sing, You Sing
Publisher: Alfred Music
ISBN10: 0-7390-5258-6
ISBN13: 978-0-7390-5258-7
UPC: 038081313979
SKU: 00-28853

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht brings three decades of experience shaping choral music for young singers. As Director of School Choral, Vocal, and Elementary Publications for Alfred Music, she developed an ear for what captures children's voices and imaginations. Her catalog includes over 600 choral works and 75 songbooks and musicals, while her annual ASCAP Special Music Awards (since 1987) reflect consistent recognition from the composing community. She has conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center, and her work with choral movement has influenced how teachers approach physical engagement in singing.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with their highest alumni awards. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

This collection understands how young singers learn through imitation and play. The echo structure lets every child participate at their own level while building secure, independent singing, and rotating the leader role transforms practice into genuine musical conversation rather than passive listening.

What to expect

These songs feel playful and inclusive, designed so every voice in the room finds something to do. The range of subjects (seasons, homonyms, solfège, yodeling) keeps young singers curious, and the call-and-response structure creates natural moments of success and laughter.

Who it's for

Classroom music teachers in grades K-4 who want simple, engaging tools for developing listening and independent singing skills. This works equally well for general music classes, music specialists rotating through schools, or classroom teachers building confidence in young singers.

How to get the most out of it

  • Establish a clear visual cue (raised hand, conducting gesture) before each echo phrase so singers know when to respond and stay together.
  • Rotate leadership roles frequently, even within a single song; this keeps engagement high and builds confidence in emerging singers.
  • Use the two recorded versions strategically: the full performance shows interpretation and phrasing, while the accompaniment-only version gives singers space to find their own voices.
  • Encourage singers to watch the leader's face and body for musical cues like breath, dynamic shifts, and phrasing, not just the notes themselves.

How to use it

Use this collection as a core resource for your general music curriculum rather than a one-time activity. The 30 songs can anchor weekly singing practice across the year, rotating through seasonal and thematic units while consistently returning to the echo structure that builds listening skills. The chord symbols also invite teachers or instructional aides to accompany on guitar or keyboard, deepening the musical experience beyond the recorded tracks.

Skills your students will build

  • Listening actively to a singing model and reproducing pitch and phrasing accurately
  • Singing independently without relying on group unison
  • Breath control and phrasing awareness
  • Solfège recognition and pitch matching
  • Following a musical leader through visual and aural cues
  • Confidence performing as both echo singer and leader

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