<i>Seussical: The Musical,</i> Highlights from Cover Image

<i>Seussical: The Musical,</i> Highlights from: Concert Band Conductor Score & Parts

$65.00 USD
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<i>Seussical: The Musical,</i> Highlights from Cover Image

Seussical: The Musical, Highlights from: Concert Band Conductor Score & Parts

Featuring: Biggest Blame Fool / It’s Possible (McElligot’s Pool) / Oh, The Thinks You Can Think

Lyrics by Lynn Ahrens, music by Stephen Flaherty / arr. Michael Story

Grade: 2 (Easy)

Item: 00-29600

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Description
The popular Broadway play is based on books by the legendary author Dr. Seuss. Michael Story's medley includes: "Biggest Blame Fool," "It's Possible (McElligot's Pool)" and "Oh, The Thinks You Can Think." A rock flavor is combined with the excitement and varied sound textures found on the Broadway stage. A real winner! (4:08)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Seussical: The Musical, Highlights from: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 250
UPC: 038081323961
SKU: 00-29600

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has composed the scores for some of Broadway's most beloved musicals, including Ragtime, Anastasia, and Once on This Island. His gift for melody and theatrical storytelling has made him a fixture in musical theater for over three decades, and his work translates remarkably well to young band arrangements that capture the emotional and rhythmic vitality of the stage originals.

Flaherty's compositions for theater demand musicianship that extends beyond technical execution; they require performers to understand character, pacing, and dramatic arc. This makes his music especially valuable in educational settings, where students encounter sophisticated compositional techniques wrapped in accessible, engaging melodies.

Why we love this

Michael Story's arrangement captures the Broadway energy without sacrificing playability for a Grade 2 band. The medley structure gives you multiple character moments and contrasting textures in one piece, so students experience variety and momentum without learning an entire show score. It's the kind of selection that makes a concert feel larger than it is.

What to expect

A whimsical romp with genuine Broadway polish. The piece captures Dr. Seuss's playful spirit while honoring the musical theater sophistication of Flaherty's original score, mixing energetic rock sections with soaring melodic moments.

Who it's for

Concert bands in Grades 2-3 looking for repertoire that feels fresh and contemporary. This works especially well for groups seeking music with theatrical personality and rock-influenced elements that appeal to younger performers.

How to get the most out of it

  • Balance the rock-flavored sections by letting the rhythm section anchor the groove while other voices maintain clarity above it; energy comes from precision, not volume.
  • Phrase the melodic lines with theatrical intent, especially in "It's Possible"—these are Broadway moments, so encourage expressive articulation and dynamic shape rather than mechanical execution.
  • Mark all the textural shifts in rehearsal so students recognize when they're doubling a melody, carrying harmony, or establishing the foundation; this clarity makes the piece cohesive across all the parts.

How to use it

This medley works beautifully as a standalone concert piece or as part of a thematic program featuring musical theater or contemporary pop-influenced band music. Its four-minute duration makes it ideal for filling a programming slot while giving the audience a taste of Broadway without requiring a full theatrical production.

Skills your students will build

  • Executing rock-influenced rhythms and articulation styles in concert band context
  • Balancing rhythmic precision with theatrical expression
  • Sectional independence while maintaining ensemble cohesion across textural changes
  • Recognizing and executing contrasting melodic characters within a single piece

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