I Run to You: The Hits of Lady Antebellum: SSA Choral Octavo
Choral Medley: I Run to You / Just a Kiss / Need You Now
Arr. Greg Gilpin
Item: 00-PO-0001460
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About the Arranger: Greg Gilpin

Greg Gilpin has built a career as both an award-winning choral composer and arranger and a sought-after conductor whose performances span prestigious venues from Carnegie Hall and Lincoln Center in New York to the Ryman Auditorium in Nashville and international stages including the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. His work in educational choral publishing as Director of Educational Choral Publications for Shawnee Press has shaped how countless choirs approach contemporary repertoire.
Beyond the music world, Gilpin has expanded his expertise into professional organizing and financial coaching, becoming certified in both fields and launching his own business, Maestro Organizing. His diverse career has earned him recognition through ASCAP awards, a Best Score award for the short film "Rosie's Rescue," and appearances on national television programs. He remains active as a composer, conductor, and educator, and holds membership in ACDA, NAfME, SAG-AFTRA, and Phi Mu Alpha Sinfonia.
Why we love this
Gilpin's ear for what works in popular music translates beautifully to choral arranging. The harmonies sit naturally for SSA voices while maintaining the infectious energy that made these Lady Antebellum hits radio staples. At five minutes, this medley gives you substantial performance material without overextending rehearsal time on a single piece.
What to expect
Radio-ready pop energy wrapped in warm three-part harmony. These Lady Antebellum hits bring infectious melodies and singable arrangements that feel modern and relevant while keeping the emotional sincerity the songs are known for. The medley format creates momentum, moving through charming moments and building excitement across the span.
Who it's for
Choirs with developing SSA singers who are ready to tackle three-part harmony with contemporary repertoire. This arrangement works equally well for middle school and high school choirs, as well as community and college ensembles looking to expand beyond classical choral literature. Audiences love it because the songs are recognizable and the SSA voicing allows strong participation from your entire choir.
How to get the most out of it
- Balance the upper voice lines carefully during the harmonic passages to let the countermelodies shine without muddying the lead vocal line.
- If using the recorded accompaniment, have singers listen to it in sections first so they internalize how their parts interact with the track before full ensemble rehearsals.
- Shape the transitions between songs with intentional tempo and dynamic choices to make the medley feel cohesive rather than like three separate pieces.
- Pay attention to the diction in the pop idiom: keep vowels forward and consonants crisp to capture the contemporary style Lady Antebellum fans recognize.
How to use it
Program this as a showstopper in a pop or contemporary choral concert, or use it as a crowd-pleaser finale that bridges classical and popular music for mixed-age audiences. It pairs well alongside other contemporary pop arrangements if you're building a concert theme around modern hits, and it's accessible enough to premiere mid-season without derailing your concert timeline.
Skills your students will build
- Singing three-part harmony in close-position voicings
- Executing clear diction in contemporary pop style
- Balancing multiple melodic lines within a single harmonic texture
- Following recorded accompaniment cues and tempos
- Interpreting stylistic nuance in secular contemporary repertoire