I Run to You: The Hits of Lady Antebellum: SAB Choral Octavo

Gilpin's ear for what works on the choral stage shines here. He's taken three massive pop hits and woven them into a cohesive five-minute medley that respects the original vocal magic while giving SAB choirs something genuinely singable and genuinely fun.

Warm, accessible, and instantly recognizable. The medley captures the emotional directness of Lady Antebellum's songwriting; you're singing music that audiences know and love, which creates an immediate connection between stage and listener. The country-pop groove sits comfortably in the choral voice.

Choirs seeking contemporary pop repertoire that bridges the gap between radio appeal and musical substance. This works especially well for middle school and high school choirs ready to tackle Lady Antebellum's well-crafted melodies and harmonies without excessive vocal difficulty.

• Pay close attention to the harmonic movement between songs in the medley; Gilpin's transitions create natural momentum that helps audiences feel the arc of the piece rather than three separate selections.
• The recorded accompaniment tracks the country-pop groove closely, so lock in rhythmically with it during rehearsals to nail the contemporary feel these songs demand.
• Balance the three-part voicing so that harmony lines don't disappear; SAB works best when all three parts pull equal weight in the ensemble sound.

Program this as a standalone feature or part of a contemporary music set, especially in spring or end-of-year concerts where audiences appreciate lighter repertoire alongside more classical selections. It's equally effective as an opener that energizes the room or a second-half piece that shifts the concert's tone.

• Singing in three-part SAB texture with independent harmonic lines
• Interpreting contemporary pop idioms and style conventions
• Maintaining rhythmic precision with a recorded accompaniment track
• Connecting emotionally with well-known songs while respecting choral ensemble balance