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I Only Have Eyes for You / The More I See You: SoundTrax Digital Audio Download

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I Only Have Eyes for You / The More I See You Cover Image

I Only Have Eyes for You / The More I See You: SoundTrax Digital Audio Download

By Al Dubin, Mack Gordon, and Harry Warren / arr. Jay Althouse

Item: 00-A-00014900

$22.95
Digital Download
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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014900

More about this title

About the Composer: Al Dubin

Al Dubin (1891-1945) was a lyricist who shaped the sound of American musical theater and film during the 1930s and early 1940s. Working primarily with composer Harry Warren, Dubin crafted witty, singable lyrics for dozens of standards that remain central to the Great American Songbook. His collaborations produced some of the most enduring melodies in popular music, many originally written for film musicals that showcased both sophistication and accessibility.

Dubin's gift for memorable hooks and conversational phrasing made his lyrics ideal for singers across all levels. His work influenced generations of songwriters and continues to reward singers and audiences who embrace the elegance and charm of mid-century popular song.

Why we love this

Jay Althouse's arrangement captures the sophisticated simplicity of these standards while keeping the harmonies warm and singable for mixed choirs. Pairing two beloved Great American Songbook classics creates natural programming momentum, and the recorded accompaniment lets singers focus on style and phrasing rather than fighting to lock in harmonies.

What to expect

Suave, romantic, and slightly wistful. These songs carry the elegant restraint of mid-century popular music, where emotion lives in the melody and lyrics rather than bombastic arrangements. Singing them feels like stepping into a film noir moment: intimate, a little vulnerable, and genuinely beautiful.

Who it's for

Mixed choirs at the intermediate to advanced level who want to explore the Great American Songbook with style and sophistication. These arrangements work for concert choirs, jazz singers, and pop ensembles seeking authentic standards literature that sounds polished without requiring extensive vocal jazz training.

How to get the most out of it

  • Listen closely to the recorded accompaniment before rehearsal. These songs live and breathe in swing and jazz inflection; the recording models the style your singers need to absorb.
  • Work the text color separately from the melody line. Dubin's lyrics demand clear diction and conversational ease, not operatic formality.
  • Shape the phrasing in longer lines by thinking about where the lyric wants to breathe, not where the bar line falls. This repertoire rewards sensitivity to the words.
  • Check that your bass section locks into the jazz feel of the accompaniment. A secure low end makes the whole group swing.

How to use it

Program this medley on a pops or standards concert to bridge classical choral repertoire and contemporary pop arrangements. The pairing works particularly well as a centerpiece for a spring concert or as contrast on a program that includes more dramatic or complex choral works.

Skills your students will build

  • Jazz phrasing and swing interpretation
  • Lyrical diction and conversational text delivery
  • Harmonic awareness in popular music voicings
  • Listening and responding to a recorded accompaniment
  • Stylistic flexibility across different choral genres

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