I Only Have Eyes for You / The More I See You Cover Image

I Only Have Eyes for You / The More I See You: Choral Octavo SoundTrax CD

$22.95 USD
$22.95 USD
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I Only Have Eyes for You / The More I See You Cover Image
I Only Have Eyes for You / The More I See You: Choral Octavo SoundTrax CD

I Only Have Eyes for You / The More I See You: Choral Octavo SoundTrax CD

By Al Dubin, Mack Gordon, and Harry Warren / arr. Jay Althouse

Item: 00-25123
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Description
This tribute to songwriter Harry Warren pairs two of his most popular titles. It's been said that Warren wrote songs you couldn't forget. You certainly won't forget this pair, which have been recorded by everyone from Frank Sinatra to Michael Bublé. Newly arranged in a fresh, light samba style.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081266183
SKU: 00-25123

More about this title

About the Composer: Mack Gordon

Mack Gordon (1904-1959) was a lyricist whose career spanned the golden age of American popular song. Working alongside composers like Harry Warren and James V. Monaco, Gordon crafted lyrics that balanced sophistication with accessibility, creating standards that singers across genres continue to perform.

Gordon's gift lay in matching memorable melodies with conversational, emotionally direct language. His prolific output for film and stage demonstrates a consistent ability to write words that feel both natural and perfectly shaped for the music they serve.

Why we love this

Jay Althouse's samba treatment transforms these standards into something contemporary without losing their essential character. The arrangement sits comfortably in rehearsal time while delivering the recorded accompaniment energy that keeps singers engaged. Programming two beloved standards in fresh instrumental context gives your singers a chance to shine on material that has real cultural weight.

What to expect

Warm, elegant, and subtly playful. The samba setting gives these songs a gentle sophistication, evoking a sophisticated social gathering rather than a nightclub. The arrangement breathes room for singers to connect with the lyrics while maintaining the groove that makes these melodies so durable.

Who it's for

Choirs seeking accessible yet sophisticated repertoire for concerts, community performances, or seasonal programs will find this arrangement immediately singable and genuinely engaging. Directors looking for secular, feel-good material that doesn't sacrifice musical substance will appreciate the craftsmanship here.

How to get the most out of it

  • Keep the samba rhythm buoyant but not heavy. The groove should feel light and conversational, not percussive; let the accompaniment drive the pulse while your singers maintain natural phrasing.
  • Balance the melody between sections rather than anchoring it always to soprano. These songs reward shared ownership of the tune, which also keeps singers from fatigue over the arrangement's length.
  • Use the recorded accompaniment in rehearsal to establish tempo and groove, then gradually reduce dependency so singers can shape phrase endings and dynamic nuances without being locked to the track.

How to use it

Program this as a standalone feature or pair it with other jazz standards to create a casual, upbeat concert section. The recorded accompaniment makes it excellent for pops concerts, holiday shows needing non-seasonal material, or spring programs where your singers can celebrate the joy of singing songs everyone actually knows.

Skills your students will build

  • Singing jazz articulation and phrasing within a choral setting
  • Rhythmic precision in samba groove (subdivisions and swing feel)
  • Balancing melody and harmonic parts in close-voiced jazz voicings
  • Coordinate ensemble blend while maintaining clarity in a syncopated arrangement

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