<I>New York, New York,</I> Theme from Sheet Music Preview

New York, New York, Theme from: 2-Part Choral Octavo

Music by John Kander, words by Fred Ebb / arr. Carl Strommen

Item: 00-PO-0006749

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Description
One of those songs that will forever be linked to O'l Blue Eyes! Carl Strommen captured all the Sinatra stylings while at the same time creating a very singable arrangement.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006749

More about this title

About the Composer: John Kander

John Kander emerged as one of Broadway's most successful composers, creating music for landmark musicals including Cabaret, Chicago, and Kiss of the Spider Woman. His gift for crafting memorable melodies that work equally well in theatrical context and popular culture made him a bridge between concert hall and radio-friendly standards.

Why we love this

Strommen's arrangement captures the swagger and sophistication of Sinatra's iconic version while keeping the vocal writing accessible for developing 2-part singers. The chart respects the song's jazz and pop DNA without requiring advanced rhythmic reading, making it genuinely fun to teach and perform.

What to expect

Urban sophistication with a touch of nostalgia. The piece radiates confidence and easy charm; singers feel like they're part of a classic moment in American music rather than struggling through unfamiliar repertoire.

Who it's for

This arrangement works for middle school through community choirs seeking a recognizable standard that doesn't demand advanced sight-reading. The 2-part voicing opens the piece to younger or less experienced ensembles while the sophisticated subject matter appeals to students who know the song from film, radio, or popular culture.

How to get the most out of it

  • Shape the phrasing in longer lines rather than stopping at every bar; listen to recordings that highlight the lyrical quality beneath the swagger.
  • Balance tone production between sections so the blend feels unified even when parts separate; this isn't a technically complex piece, so vocal maturity counts.
  • Find the legit swing in the rhythmic feel without forcing it; Sinatra never rushed, and neither should your singers.

How to use it

Program this as a concert centerpiece that draws the audience in immediately through recognition and familiarity. Pair it with other American standards or Great American Songbook selections, or use it to anchor a pop/secular choral concert where approachability and audience connection matter.

Skills your students will build

  • Legit swing rhythm and interpretation
  • Phrasing and lyrical expression in popular music idiom
  • Two-part blend and balance
  • Reading and performing music outside classical choral tradition

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