<I>New York, New York,</I> Theme from Cover Image

<I>New York, New York,</I> Theme from: 2-Part Choral Octavo

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<I>New York, New York,</I> Theme from Cover Image

New York, New York, Theme from: 2-Part Choral Octavo

Music by John Kander, words by Fred Ebb / arr. Carl Strommen

Item: 00-CH9924

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Description
One of those songs that will forever be linked to O'l Blue Eyes! Carl Strommen captured all the Sinatra stylings while at the same time creating a very singable arrangement.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 029156984965
SKU: 00-CH9924

More about this title

About the Composer: John Kander

John Kander has shaped the sound of American musical theater since the 1960s, collaborating with lyricist Fred Ebb on some of Broadway's most distinctive scores. His work spans from the raw energy of Cabaret to the sophisticated charm of Chicago, earning him Tony Awards and establishing him as a composer who understands both theatrical storytelling and singable melody. His music balances accessibility with musical depth, making his songs enduring favorites in both professional and educational settings.

Why we love this

Strommen's arrangement brings Sinatra's signature swagger to a 2-part setting without sacrificing the song's iconic charm. The voicing feels effortless to sing while maintaining enough musical sophistication to keep audiences engaged, making it a genuine crowd-pleaser that works for choirs with varying experience levels.

What to expect

Urbane and charming. The song captures New York's glamour and energy while maintaining an intimate, almost conversational quality. Singing this feels like stepping into a classic Hollywood moment, combining nostalgia with genuine musical satisfaction.

Who it's for

Any 2-part choir looking for a contemporary standard that connects with audiences instantly. This works especially well for groups building confidence in pop arrangements or programs seeking a sophisticated, recognizable show-stopper.

How to get the most out of it

  • Lean into the rhythmic swing of the accompaniment; this song thrives on a relaxed, conversational phrasing rather than a rigid beat.
  • Balance the two parts so they function as a unified voice rather than competing lines; blend is essential to capturing the orchestral warmth of the original.
  • Pay attention to the recorded accompaniment's tempo and style choices to anchor your choir's interpretation while maintaining interpretive flexibility in phrasing and dynamics.

How to use it

Perfect as a lighter moment in a concert mixing Broadway and contemporary pop, or as a featured number in a program celebrating American standards and film music. The song's familiarity makes it an excellent opener or closer for audiences of all ages.

Skills your students will build

  • Stylistic interpretation of jazz-influenced phrasing and swing rhythms
  • Balancing two-part blend while maintaining clear part independence
  • Working with recorded accompaniments to support rehearsal and performance
  • Communicating character and interpretation in secular, entertainment-focused repertoire

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