I'll Stand by You Sheet Music Preview

I'll Stand by You: Piano/Vocal/Chords

Over 40 Pop Music Favorites

By various artists and composers

Item: 00-PS-0015863

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Description
This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).

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Additional Details
Series: Greatest Hits
Publisher: Alfred Music
Page Count: 264
SKU: 00-PS-0015863

More about this title

About the Composer: Billy Steinberg

Billy Steinberg is a songwriter and composer whose work defines the pop landscape of the 1980s and 1990s. Collaborating frequently with lyricist Tom Kelly, Steinberg crafted some of the era's most recognizable hooks and melodies for artists ranging from Whitney Houston to Cyndi Lauper. His gift for writing memorable, radio-friendly songs that also connect emotionally with listeners has made his catalog a staple of contemporary music education and performance.

Chrissie Hynde, founder and lead vocalist of The Pretenders, brought her distinctive voice and songwriting sensibility to "I'll Stand by You." Known for her rock credentials and emotional directness, Hynde helped establish the song as an anthem of solidarity and commitment. Tom Kelly's co-writing partnership with Steinberg produced some of the decade's most enduring pop compositions, and his contribution to this collection reflects his consistent ability to craft songs with both commercial appeal and genuine emotional depth.

Why we love this

This folio captures the 1990s pop moment when songwriting prioritized immediate melodic hooks and singable melodies across all voice types. The collection spans ballads, uptempo anthems, and character-driven songs, giving pianists and singers substantial interpretive choices within accessible arrangements. Whether you're building a cabaret evening, creating a singalong collection, or offering contemporary material to classical voice students, these 40+ hits provide immediately recognizable material that sustains interest across rehearsals and performances.

What to expect

Opening this collection feels like stepping into a radio station from 1990 to 1999, where emotion and accessibility went hand in hand. The songs range from intimate ballads that sit close and personal to infectious anthems designed to fill rooms; throughout, the melodies sit naturally in comfortable vocal ranges and the accompaniments balance sophistication with straightforward interpretability.

Who it's for

Pianists and keyboardists accompanying singers in studio, rehearsal, or performance settings will find this collection essential for collaborative work. Voice students preparing contemporary audition material, cabaret singers building a accessible setlist, and pianists seeking substantial 1990s pop repertoire will all find immediate value in the variety and recognizability of these songs.

How to get the most out of it

  • Balance the vocal line with the piano accompaniment by thinking of the keyboard as supportive rather than dominant; let lyrical clarity and emotional delivery shape your dynamic choices in slower material.
  • Anchor tempo in the rhythm section voicings rather than rushing into the vocal line, especially in up-tempo tracks where groove matters as much as melody.
  • Study the guitar chord diagrams to understand harmonic rhythm and phrasing, even if you're performing on piano alone; this awareness improves your accompaniment sensitivity.
  • Treat the lyrics as emotional scenework for the performer, not just text to deliver; songs like "Because You Loved Me" and "I'll Stand by You" work best when the pianist understands the dramatic context.

How to use it

Program selections from this folio as part of a contemporary pop evening, mixing uptempo numbers with slower material for contrasting emotional arcs. Younger singers can build audition confidence with universally known material, while collaborative pianists can use entire sections of the book as study material for accompanying different song types and vocal qualities.

Skills your students will build

  • Reading lead-sheet notation with chord diagrams integrated into melodic lines
  • Accompanying singers in contemporary pop styles with appropriate rhythmic and dynamic flexibility
  • Interpreting guitar chord voicings at the piano keyboard
  • Recognizing and performing in varied song forms (ballad, uptempo verse-chorus, rhythmic groove patterns)
  • Balancing ensemble blend between vocalist, piano, and implied guitar parts

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