I Knew I Loved You Cover Image

I Knew I Loved You: Choral Octavo SoundTrax CD

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I Knew I Loved You Cover Image

I Knew I Loved You: Choral Octavo SoundTrax CD

As Sung by Celine Dion

Words and music by Alan Bergman, Marilyn Bergman and Ennio Morricone / arr. Greg Gilpin

Item: 00-27836

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Description
This beautiful ballad was performed by Celine Dion at the Academy Awards, and was also her first new release since hitting the Vegas stage. Features soaring melody lines that will touch the hearts of all who hear it. Enchanting.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081297262
SKU: 00-27836

More about this title

About the Composer: Alan Bergman

Alan Bergman stands among the most prolific and successful songwriting teams in American popular music. Along with his wife Marilyn Bergman and collaborators including Ennio Morricone, he crafted some of the most recognizable melodies in film and television, earning multiple Academy Award nominations and wins. His work spans from intimate ballads to sweeping orchestral pieces, always prioritizing emotional clarity and vocal accessibility.

For choral directors, the Bergmans' catalog represents a masterclass in writing singable melodies that communicate directly to audiences. Their songs have become standards in pop choral arranging because they balance sophisticated harmonic language with straightforward emotional content, making them equally effective in concert halls and competition settings.

Why we love this

Greg Gilpin's arrangement respects the song's inherent beauty while providing clear, attainable voicing that lets your choir shine. The SoundTrax accompaniment frees you from recruiting a pianist or dependence on recordings, so you can focus entirely on shaping the emotional arc. This is a ballad that feels substantial without requiring vocal gymnastics, making it accessible for growing choirs that still want to perform something genuinely moving.

What to expect

The piece wraps listeners in warm, lush harmonies that build gradually toward genuine emotional climax. Celine Dion's performance etched this melody into popular memory, and your singers will feel the weight of that familiarity, which can motivate them to find their own authenticity within the arrangement. There's nothing cynical or lightweight here; this is a ballad that earns its sentiment through craft.

Who it's for

Choirs of intermediate skill and above will find this arrangement rewarding. Whether you're building a pops concert, filling a spring cabaret program, or seeking an accessible ballad that still challenges your singers musically, this octavo serves well.

How to get the most out of it

  • Balance the soaring melody so it floats above rather than cuts through the supporting voices; this requires restraint from soprano sections rather than more volume.
  • Shape the phrasing across entire musical sentences rather than stopping at bar lines; the Dion recording models this legit approach, and your own rehearsal pianist can help.
  • Let the SoundTrax accompaniment establish tempo and harmonic support early in rehearsal so singers can hear exactly how their parts sit within the full orchestration.
  • Honor the lyrical content by finding moments of stillness or softness; not every phrase needs to be sung at performance volume, and dynamic contrast deepens the emotional impact.

How to use it

Program this as a standalone ballad moment during a pops concert, or pair it with other contemporary pop arrangements to create a meditative section that contrasts with up-tempo pieces. It also works well as a finale if your program thematically emphasizes love, connection, or reflection. The piece's recognized melody means audiences will settle into listening quietly, giving you guaranteed attention.

Skills your students will build

  • Sustaining long, connected melodic lines over changing harmonies
  • Balancing blend and clarity when singing familiar popular melodies
  • Responding dynamically to recorded accompaniment cues
  • Shaping rubato and expressive phrasing in a pop ballad context

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