I Knew I Loved You Cover Image

I Knew I Loved You: SATB Choral Octavo

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I Knew I Loved You Cover Image

I Knew I Loved You: SATB Choral Octavo

As Sung by Celine Dion

Words and music by Alan Bergman, Marilyn Bergman and Ennio Morricone / arr. Greg Gilpin

Item: 00-27833

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Description
This beautiful ballad was performed by Celine Dion at the Academy Awards, and was also her first new release since hitting the Vegas stage. Features soaring melody lines that will touch the hearts of all who hear it. Enchanting.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081297354
SKU: 00-27833

More about this title

About the Composer: Alan Bergman

Alan Bergman, along with his wife Marilyn Bergman, formed one of the most prolific songwriting partnerships in American popular music. Their work spans film, television, and stage, earning them multiple Academy Award nominations and Grammy Awards. The Bergmans' gift for crafting emotionally resonant lyrics paired with memorable melodies made them sought-after collaborators for artists across genres, from Barbra Streisand to Michel Legrand.

Their compositions are characterized by sophisticated harmonic language and deeply human storytelling, qualities that have made their catalog enduringly popular in educational and professional choral settings. Many of their songs have become standards, valued equally for their emotional depth and their musicality.

Why we love this

Greg Gilpin's arrangement captures the intimacy and emotional arc of this contemporary ballad while remaining entirely singable for mixed choirs. The soaring melody sits naturally across all four voice parts, and the harmonic writing creates genuine musical interest without demanding virtuosity. This is a piece that sounds polished and moving in rehearsal by spring, making it an excellent choice for spring concerts or competitions.

What to expect

The piece unfolds with the warmth and intimacy of a personal reflection on love and recognition. Bergman and Morricone's melody soars with genuine expressiveness, supported by harmonies that feel both modern and timeless. Singing this arrangement brings a sense of sincerity and vulnerability to any performance.

Who it's for

This octavo works well for intermediate to advanced high school choirs and adult community choirs seeking contemporary repertoire with emotional substance. It's accessible enough for singers without extensive choral training, yet sophisticated enough to engage experienced ensembles.

How to get the most out of it

  • Shape the melody with long, connected phrases rather than breaking at cadence points. Let each section breathe as a single musical thought, even when the text suggests natural punctuation.
  • Balance the parts so the soprano line remains prominent without forcing the upper voices to oversing. The altos, tenors, and basses should support with warmth and resonance.
  • Use the recorded accompaniment in rehearsal to establish harmonic context, then rehearse at least half your sessions a cappella to ensure independence and intonation security.
  • Pay close attention to the text's emotional arc. This piece demands nuance in dynamics and tone color across all sections; avoid a one-speed delivery.

How to use it

This works beautifully as a closer for a choral concert or as a centerpiece in a program pairing contemporary music with classical selections. The emotional resonance and popular appeal make it an excellent choice for fundraising galas, Valentine's Day specials, or any concert where you want to showcase your choir's ability to move an audience.

Skills your students will build

  • Sustaining long musical phrases and managing breath support across extended melodies
  • Balancing SATB texture while maintaining clarity of the primary melodic line
  • Interpreting text with emotional authenticity and dynamic control
  • Developing intonation security in contemporary harmonic language

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