I Just Might: 3-Part Mixed Choral Octavo

Alan Billingsley's arrangement captures the infectious funk backbone of the original without sacrificing singability or three-part balance. The retro-modern aesthetic gives your choir permission to embrace personality and movement, making this a natural fit for groups that thrive on contemporary energy and audience connection.

Suave and irresistible, with a tight funk pocket that makes standing still nearly impossible. The arrangement channels retro soul and modern pop sensibilities, creating a vibe that feels both timeless and undeniably current, with an energy that naturally invites your singers to bring personality and swagger to their performance.

Choirs seeking a contemporary pop selection with genuine groove and movement potential will find this an immediate audience favorite. Groups at the upper elementary, middle school, and high school levels can access the three-part voicing while still delivering a polished, radio-ready sound that rivals the original.

• Nail the rhythmic precision of the funk-driven bass line by having your lower voices lock in with a click track during sectional rehearsals; the groove depends on steadiness, not volume.
• Encourage singers to feel the suave, laid-back attitude of the original recording rather than oversinging; restraint and pocket matter more than belting.
• Layer in movement gradually during rehearsals, starting with head and shoulder groove before adding full choreography, so singers can maintain pitch and blend while developing their physicality.
• Make use of the recorded accompaniment early to let singers internalize the harmonic and rhythmic context before performing unaccompanied sections, if any exist in the arrangement.

Program this as an opener or second selection to establish upbeat momentum and set a contemporary, high-energy tone for your concert. Its connection to current pop culture and accessibility make it an excellent choice for pops concerts, spring shows, or any program where you want to bridge classical and modern repertoire with immediate audience recognition.

• Funk rhythm and groove pocket singing
• Maintaining blend and balance while moving or choreographed
• Interpretation of contemporary pop style and attitude
• Rhythmic precision in syncopated passages
• Three-part SAB voicing and part independence