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I Just Might: Marching Band Conductor Score

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I Just Might Cover Image

I Just Might: Marching Band Conductor Score

Words and Music by Chris Brown, Philip Lawrence, Dernst Emile II and Bruno Mars / arr. Jordan Barker

Grade: 3.5

Item: 00-50473S

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Description
This mega-hit from Bruno Mars debuted at the top of the charts in early 2026. Jordan Barker's stellar arrangement really has a great groove and will certainly be a fan favorite this fall!

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Additional Details
Series: Premier Series for Marching Band
Publisher: Alfred Music
ISBN10: 1-4706-8647-3
ISBN13: 978-1-4706-8647-5
UPC: 038081620404
SKU: 00-50473S

More about this title

About the Composer: Chris Brown

Chris Brown is a multi-platinum recording artist and songwriter who has shaped contemporary pop and R&B since the late 2000s. His influence extends across production and songwriting, collaborating with top-tier producers and composers to craft radio-friendly hits that define popular music culture.

Why we love this

Barker's arrangement captures the infectious energy of a chart-topping hit while respecting the Grade 3.5 level, giving your marching band access to repertoire that genuinely excites students and audiences alike. The groove sits naturally for a marching ensemble, and the arrangement balances contemporary production sensibility with solid musical writing.

What to expect

Immediate, propulsive, and grounded in a solid groove that invites movement. The arrangement brings the pop production's swagger to the field while letting your ensemble shine with clean articulation and cohesive rhythmic drive.

Who it's for

Band directors programming fall shows who want high-energy contemporary repertoire that engages both performers and spectators. This works for bands at the 3.5 level seeking accessible arrangements of recognizable hits without sacrificing musicality.

How to get the most out of it

  • Lock the rhythmic pocket with your battery and pit before rehearsing the full ensemble. The groove depends on precision in the backbeat.
  • Study the original recording to internalize the song's feel and dynamics. Marching arrangements of pop hits benefit enormously when the band knows the source material.
  • Balance your melodic voices against the harmonic foundation so the main hooks stay prominent without overwhelming the ensemble sound.
  • Mark phrase ends and dynamic shapes clearly in parts. This style demands attention to groove and phrasing rather than just note-playing.

How to use it

Open a show or place this in a high-energy segment where audience familiarity and student enthusiasm matter most. The contemporary appeal makes it an excellent bridge between traditional marching band repertoire and music your students actually listen to.

Skills your students will build

  • Maintaining a locked groove across an ensemble
  • Balancing melody and rhythm in a contemporary idiom
  • Phrasing and dynamic shaping in pop-influenced writing
  • Precision with syncopated rhythms in Grade 3.5 contexts

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