I Hear America Singing!: SSA Choral Octavo
Arr. Sally K. Albrecht and Jay Althouse
Item: 00-PO-0000085
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More about this title
About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades through her work as a composer, conductor, and educator. She served as Director of School Choral, Vocal, and Elementary Publications at Alfred Music, where she oversaw the development of hundreds of titles now in active use across schools nationwide. A frequent clinician at major festivals including Lincoln Center, Carnegie Hall, and The Kennedy Center, Albrecht has received the ASCAP Special Music Award annually since 1987 and has published more than 600 choral works alongside 75 larger musicals and songbooks.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. Her distinctive approach to choral movement and accessible arrangement has made her work particularly valued in school settings across all performance levels. She and her husband, composer and arranger Jay Althouse, live in North Carolina.
Why we love this
This arrangement wraps beloved American songs in a narrative framework that engages both performers and audiences on a deeper level. The integration of spoken text from significant American figures gives student narrators a meaningful role and transforms what could be a straightforward medley into a genuine dramatic work. The flexibility to cast your own principals or invite community members makes this ideal for building connections between school and audience.
What to expect
This piece carries the warmth and familiarity of American hymns and folk traditions while building genuine emotional resonance through the speakers' words. The familiar melodies anchor the listener while the narrative gives those melodies fresh context and meaning. Performing it creates a sense of shared pride and reflection rather than simple celebration.
Who it's for
SSA choirs at middle school through early high school levels, especially those seeking accessible patriotic repertoire with ensemble flexibility. Directors programming combined or all-school concerts will find this particularly valuable since it accommodates groups of varying ages and voice development in a single arrangement. Any choir looking to feature student or community speakers alongside singing will discover the integrated narration makes this a natural choice for civic occasions and summer festivals.
How to get the most out of it
- Rehearse the narration separately from the singing at first. Once the speakers are comfortable with pacing and inflection, layer in the choir gradually so both elements support rather than compete with each other.
- Balance the choral parts by running through the piece with SSA voicing across all three parts in rotation. This reveals which sections need reinforcement and ensures no single line dominates the patriotic songs.
- Select narrators who can project clarity without overwhelming the ensemble. A principal, retired teacher, or local figure brings authenticity, but prioritize diction and comfort with public speaking over performance experience.
- Use the recorded accompaniment during early rehearsals to establish secure tempos across the medley, then gradually reduce dependency as your singers internalize the phrases.
How to use it
Position this as a finale or anchor piece for Fourth of July concerts, patriotic assemblies, or end-of-year celebrations where community participation strengthens the event. The ability to feature local speakers makes it especially effective at combined concerts where multiple school groups perform, as the narration can bridge different ensembles or age groups. Consider pairing it with instrumental selections from your band program to create a fuller patriotic presentation.
Skills your students will build
- Singing three-part SSA voicing with clarity across familiar American melodies
- Blending with narration and adjusting dynamic balance between speech and singing
- Sustaining vocal line through a medley structure that requires attention to phrasing and transitions
- Developing ensemble listening skills by accommodating multiple narrators and maintaining ensemble cohesion across sections