I Hear America Singing!: SAB Choral Octavo
Arr. Sally K. Albrecht and Jay Althouse
Item: 00-PO-0000084
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More about this title
About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with particular expertise in incorporating movement into choral performance. A perennial ASCAP Special Music Award recipient since 1987, she has amassed more than 600 choral publications and 75 larger works for stage, while conducting honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Her leadership in music education publishing at Alfred Music and her faculty positions at Oakland University, Jersey City State College, and Meredith College established her as a trusted voice in choral pedagogy.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has been recognized with the Distinguished Alumna Award from both institutions. She served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. A native of Cleveland, Ohio, she currently resides in Wake Forest, North Carolina, with her husband and collaborator, composer and arranger Jay Althouse.
Why we love this
This arrangement weaves beloved American melodies into a cohesive patriotic statement that honors diverse voices and communities. The integration of spoken narration featuring student speakers or local dignitaries creates genuine investment in the performance and gives younger or less experienced singers meaningful roles alongside the choral ensemble. It's equally at home in a 4th of July concert or a year-round community program, making it remarkably flexible for programming.
What to expect
Stirring and inclusive, with moments of quiet reflection punctuated by soaring melody. The arrangement celebrates American identity through recognizable folk and patriotic songs, creating a sense of shared heritage and hope that resonates with singers and listeners alike.
Who it's for
Mixed choirs of intermediate ability looking for repertoire that engages audiences of all ages. Directors programming combined festivals, school assemblies, or 4th of July celebrations will find this especially useful, as the SAB voicing and flexible narrator roles accommodate groups with different experience levels singing together.
How to get the most out of it
- Recruit your narrators early and rehearse them separately from the singers so they develop confident pacing and clear diction; the spoken passages set the emotional tone between musical sections.
- Let the recorded accompaniment guide initial rehearsals, but consider performing with live piano or small ensemble once your singers internalize the parts, which deepens the storytelling.
- Balance the SAB voicing by having your strongest readers support the middle part if it feels thin; this arrangement values accessibility over four-part complexity.
- Encourage singers to connect emotionally to the patriotic texts and familiar melodies; this piece rewards genuine expression over technical precision.
How to use it
Open a patriotic concert or end a summer pops program with this work; it plays equally well as the anchor of a community celebration or as part of a larger concert exploring American themes. Consider it for ceremonies, assemblies, or combined concerts where you want a piece that speaks to broad audiences and invites participation beyond the singers.
Skills your students will build
- Balancing part independence in three-part mixed voicing
- Sustaining ensemble blend across SAB ranges
- Responding to conducted ensemble leadership during spoken interludes
- Conveying textual meaning through dynamic shaping and phrase direction
- Collaborating with non-singers in a unified performance