I Have a Dream: 3-Part Mixed, etc. Choral Octavo
Music by Mary Donnelly / arr. George L. O. Strid
Item: 00-PO-0004557
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Description
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More about this title
About the Composer: Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her passion for music education. While still an undergraduate, she organized children's choruses and found the work so fulfilling that she pursued formal training, earning a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on arts integration across the curriculum.
Donnelly spent three decades teaching general music and choir in the Washoe County School District, retiring after a distinguished career in elementary and middle school classrooms. In 1985, she began collaborating with arranger George L. O. Strid on a musical for Reading Week, launching a prolific partnership that has produced over two hundred songs and twenty-five musicals. She remains active in ACDA, NEA, and ASCAP.
Why we love this
Donnelly writes with genuine understanding of what middle school singers can achieve. The arrangement sits comfortably for developing voices while the lyrical content addresses themes of perseverance and self-belief that resonate authentically with young people, making this ballad both vocally accessible and emotionally grounded.
What to expect
This ballad carries quiet strength and hopeful conviction. Rather than bombastic uplift, it presents determination as something personal and achievable, with melody and harmony that feel natural to sing while still conveying genuine emotional weight.
Who it's for
Directors leading middle school, high school, or community choirs looking for repertoire with contemporary relevance and manageable technical demands. The three-part voicing makes this accessible to developing singers while the message of determination appeals across age groups.
How to get the most out of it
- Shape the melody with a clear sense of forward motion through the verses, allowing the singers to breathe naturally at marked phrase ends rather than forcing breath in the middle of emotional ideas.
- Balance the three parts so the top line carries the primary melodic statement while the middle and lower voices provide harmonic support without overwhelming the texture.
- Work the dynamic shape from the recorded accompaniment to guide interpretation; let the SoundTrax anchor the ensemble's phrasing and build toward the emotional peak of the piece.
How to use it
Program this as a centerpiece in concert programming focused on themes of aspiration or perseverance, or pair it with other contemporary choral works to show the breadth of meaningful secular repertoire for developing singers. It works equally well as a spring concert selection or as part of a school assembly celebrating student achievement.
Skills your students will build
- Singing sustained phrases with consistent breath control
- Balancing three independent melodic lines while maintaining harmonic integrity
- Interpreting lyrical content through dynamic and tempo nuance
- Following a recorded accompaniment as a rehearsal and performance tool