<i>Harry Potter and the Deathly Hallows, Part 1,</i> Selections from Cover Image

<i>Harry Potter and the Deathly Hallows, Part 1,</i> Selections from: Full Orchestra Conductor Score

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<i>Harry Potter and the Deathly Hallows, Part 1,</i> Selections from Cover Image

Harry Potter and the Deathly Hallows, Part 1, Selections from: Full Orchestra Conductor Score

Featuring: Hedwig's Theme / Obliviate / Dobby / Lovegood / Ministry of Magic / Farewell to Dobby / The Elder Wand

Arr. Michael Story

Grade: 3

Item: 00-35934S

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Description
Perfectly eerie! This arrangement of music from the wonderful soundtrack to the seventh movie in the Harry Potter series contains seven contrasting themes. It is scored for intermediate level full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion.

For educational usage/non-profit performances only; for professional arrangements, visit our rental library at alfred.com/rental.

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Additional Details
Series: Pop Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 24
UPC: 038081417172
SKU: 00-35934S

More about this title

About the Arranger: Michael Story

Michael Story is an accomplished arranger and composer whose work spans educational and professional contexts. His arrangements for school ensembles are known for their musicality, practical orchestration, and accessibility across varying instrumentation options, making complex film scores workable for intermediate musicians.

Why we love this

Story's arrangement captures the atmospheric tension of Deathly Hallows while staying true to intermediate ensemble capabilities. The flexibility to perform with strings alone or add winds and percussion gradually gives you real programming options throughout the year, and the seven distinct themes keep listeners engaged without overstaying their welcome.

What to expect

The music evokes the darkly magical atmosphere of Deathly Hallows with minor tonality, unsettling harmonic movement, and sparse orchestration that lets silence and single instruments create tension. These seven themes shift between eerie stillness and subtle urgency, never overwhelming but consistently unsettling.

Who it's for

This conductor score serves intermediate full orchestras, string orchestras, and flexible ensemble combinations. Directors programming Halloween concerts, film music units, or thematic programs will find the multiple interpretations (strings only, partially instrumented, or fully orchestrated) invaluable for budgeting instrumentation across the year.

How to get the most out of it

  • Balance ensemble texture carefully in passages where multiple themes overlap; the conductor score shows all parts clearly, so mark cues that help winds enter cleanly without drowning out string lines.
  • If performing with strings only, ensure your principal players in first violin and cello are secure with their exposed passages, as they often carry melodic weight without harmonic support from winds.
  • Control the dynamic range across the seven selections; each theme has its own character, and shifting clearly between them prevents the overall impression from flattening into one eerie wash.
  • Use the conductor score to hear the full orchestration during rehearsals, even if you're starting with strings alone, so you understand how themes will transform when winds or percussion eventually join.

How to use it

Program this as a centerpiece for a Halloween or October concert, or use it as an opener for a film music showcase that pairs it with other movie selections at different difficulty levels. The varied length of individual themes lets you extract single selections for shorter concerts or full-program performances.

Skills your students will build

  • Balancing ensemble texture across different instrumentation configurations
  • Sustaining atmospheric playing with minimal harmonic movement
  • Executing clean entrances when doubling parts between sections
  • Reading a conductor score with flexible orchestration cues

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