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I Got Plenty o' Nuttin': SoundTrax Digital Audio Download

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I Got Plenty o' Nuttin' Cover Image

I Got Plenty o' Nuttin': SoundTrax Digital Audio Download

From the Musical Porgy and Bess

Words and music by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. Douglas E. Wagner

Item: 00-A-00015212

$24.99
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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015212

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music in ways no American composer before him had attempted. His gift for melody and harmonic sophistication made him equally at home writing concert works and Broadway scores, and his influence on American music education remains profound decades after his death.

Gershwin's collaboration with lyricist Ira Gershwin and librettists DuBose and Dorothy Heyward on Porgy and Bess (1935) produced some of the most singable, emotionally direct music in the American musical theater canon. For choral directors, his songs offer both accessibility and artistic depth, allowing singers to engage with genuine American musical tradition.

Why we love this

This arrangement captures the swagger and warmth of one of Gershwin's most memorable melodies without requiring operatic voices or extensive vocal ranges. Douglas E. Wagner's choral setting lets the song's essential character shine while remaining performance-ready for high school and community choirs, making it an ideal choice when you want Broadway sophistication without Broadway-level demands.

What to expect

There's a quiet dignity in this tune, a moment of simple happiness expressed without artifice. The melody sits comfortably in the voice, warm and conversational, with harmonic support that feels natural rather than elaborate. It's music that trusts the words and the singer.

Who it's for

This digital download suits high school choral programs, community choirs, and show choir ensembles looking for accessible Broadway repertoire with real artistic substance. Singers need solid ensemble blend and musicianship more than individual virtuosity, making it appropriate for mixed-ability choirs at the intermediate level and above.

How to get the most out of it

  • Bring out the lyrical warmth in the melody line; this is Porgy's moment of contentment, not a showstopper. The arrangement should breathe like a song, not a number.
  • Shape phrases according to the lyric's natural speech patterns rather than purely musical phrase lengths. Listen to the language first, then let the music support it.
  • Balance the harmonic color in the supporting voices without letting them overshadow the tune. Wagner's arrangement thrives on interplay between parts.

How to use it

Pair this with other American song standards from the Broadway or jazz traditions to build a program celebrating American musical theater's golden age. It works equally well as a concert feature or as part of a lighter set that balances more demanding contemporary works.

Skills your students will build

  • Legit singing style and vocal placement for Broadway repertoire
  • Phrasing based on lyrical content rather than purely musical structure
  • Ensemble listening and balance in four-part harmony
  • Interpretation of American idiom and vernacular text

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