I Believe in Angels: Choral Octavo SoundTrax CD

Lantz understands what two-part choirs need: music that sounds full and intentional without overcomplicating the vocal writing. The flexibility to use treble or mixed voices means this piece travels easily between middle school choirs, community ensembles, and church programs without arrangement headaches.

The piece carries genuine warmth without sentimentality. The two-part texture creates an intimate quality, inviting singers and listeners into a moment of quiet reflection. Lantz's writing respects the simplicity of the concept while crafting phrases that reward careful attention.

This octavo works for any choir singing two-part literature: middle school ensembles developing vocal independence, adult mixed choruses seeking accessible sacred repertoire, treble choirs looking for tender but substantial material, and church choirs wanting a piece that serves both musical and spiritual purposes.

• Balance the recorded accompaniment carefully so it supports rather than overwhelms the singers; two-part texture is delicate and needs room to breathe.
• Establish a clear sense of phrase direction in rehearsal before adding the track; singers often settle into accompaniment tempos rather than leading with their own musicality.
• Mark natural breath points during learning, especially where the two parts diverge, so singers don't feel pressured to phrase identically.

Pair this with other two-part sacred work to build a thematic set, or use it as a standalone benediction piece for holiday concerts and spring programs. The recorded accompaniment makes it practical for smaller ensembles that may lack consistent piano accompanists.

• Two-part vocal independence and blend
• Phrasing in sacred music contexts
• Singing expressively with recorded accompaniment
• Balance and balance adjustment between parts