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Hymns for Meditation: Piano Book

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Hymns for Meditation: Piano Book

6 Hymn Arrangements for the Late Intermediate Pianist Suitable for Preludes and Offertories

Arranged by Martha Mier

Level: Late Intermediate

Item: 00-17603

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Description
Church pianists are often asked to provide music that is reflective and meditative in nature. The six hymns in this collection by Martha Mier were chosen because of their beauty and for the messages of comfort and hope that they convey. Titles: In the Garden * It Is Well with My Soul * Near to The Heart of God * Sweet Hour of Prayer * 'Tis So Sweet to Trust in Jesus * What A Friend We Have In Jesus

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-0321-6
ISBN13: 978-0-7390-0321-3
UPC: 038081174761
SKU: 00-17603

More about this title

About the Arranger: Martha Mier

Martha Mier

Martha Mier has shaped music education through decades of piano composition and pedagogical innovation. Since joining Alfred Music Publishing in 1989, she has become one of the most widely performed contemporary composers for student pianists, with her works spanning jazz, ragtime, romantic impressionism, and sacred music. Her credentials include membership in the Music Teachers National Association, state and national certification as a piano teacher, and a distinguished record as a clinician and adjudicator on three continents.

Mier's roots in church music and professional accompaniment work inform her sensitivity to the demands of liturgical and devotional settings. A Florida State University graduate and former piano studio owner, she has authored or co-authored more than 200 educational publications, including the widely adopted Alfred's Premier Piano Course. Her arrangements and original compositions regularly appear on National Federation of Music Clubs festival programs.

Why we love this

These six hymns sit comfortably at late intermediate level without oversimplifying the source material. Mier's arrangements honor the harmonic richness of each tune while keeping the writing idiomatically pianistic, making them practical choices for Sunday services, weddings, and quiet reflection moments when you need music that sounds prepared but never overwrought.

What to expect

Each arrangement balances reverence with warmth, creating space for reflection without demanding virtuosity. The harmonies breathe and settle, inviting the listener into quiet contemplation while the piano's rich voice carries the familiar melodies with renewed dignity.

Who it's for

Church pianists who regularly provide prelude, offertory, and postlude music will find these arrangements both musically satisfying and practical for Sunday use. Late intermediate students who benefit from playing music with spiritual depth and strong melodic identity will connect with the familiar tunes while developing skill with more sophisticated accompaniment textures.

How to get the most out of it

  • Shape each phrase through gentle dynamic rise and fall rather than playing at a single volume; the meditative quality depends on subtle attention to line and breath.
  • Let the pedal work for you, but change it frequently enough to keep the harmonies clear; rush the pedal changes slightly ahead of hand position changes to avoid muddiness.
  • Treat repeats as opportunities for variation; a soft, sparse second verse can deepen the sense of intimate prayer after a fuller first statement.
  • Take care with the fingerings provided; they often facilitate smooth voice leading that reinforces the hymn tune rather than fight against it.

How to use it

Use these hymn arrangements in church services for moments that call for instrumental music of substance; they also serve as effective recital closers or stand-alone concert pieces that audiences find immediately accessible. Pair them with a hymn-singing finale or incorporate them into a sacred music service where pianists and singers share the program.

Skills your students will build

  • Voicing hymn harmonies across the keyboard to achieve clarity and warmth
  • Managing sustain and release of pedal in sustained harmonic contexts
  • Shaping long phrases through subtle dynamic and tempo variation
  • Interpreting familiar melodies with artistic restraint and reverence

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