Hymn from <i>Jupiter</i> Cover Image

Hymn from <i>Jupiter</i>: 6 Trumpets Score & Parts

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Hymn from <i>Jupiter</i> Cover Image

Hymn from Jupiter: 6 Trumpets Score & Parts

I Vow to Thee, My Country

By Gustav Holst / arr. David Marlatt

Item: 81-TE29191

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Description
This arrangement opens with a short quote from the opening section of Jupiter before moving into the beautiful chorale. Ensembles should feel free to repeat this chorale as many times as needed as a processional, recessional, or other function at an event.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 12
ISBN10: 1-55473-494-0
ISBN13: 978-1-55473-494-8
UPC: 685462014958
SKU: 81-TE29191
Instrumentation: 6 Trumpets

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874-1934) transformed British musical life through his bold orchestral works and his tireless commitment to music education. Best known for The Planets, his orchestral suite that redefined the symphonic poem for the twentieth century, Holst composed with a distinctive voice that drew from folk song, Eastern philosophy, and Renaissance polyphony. His influence extended far beyond the concert hall; he championed amateur music-making, taught composition at multiple institutions, and believed deeply that music belonged to everyone, not just professional musicians.

Why we love this

This arrangement captures the dignity and warmth of one of classical music's most recognizable melodies while tailoring it perfectly for trumpet ensembles. The flexible repeat structure transforms a concert piece into genuine liturgical or processional music, making it unusually practical for real-world events. Marlatt's orchestration respects the original's grandeur while sitting comfortably in the trumpet register, giving ensembles an accessible entry point to Holst's masterwork.

What to expect

The chorale unfolds with hymn-like reverence, each phrase settling into rich, sonorous harmony that fills a room with warmth. Beginning with the restless energy of Jupiter's opening, the piece finds its truest voice in the stillness of the chorale, where six brass voices blend into something almost sacred. The music feels built for moments of transition: processional entries, honored farewells, or the quiet dignity of ceremony.

Who it's for

Trumpet quartets, quintets, and sextets preparing for recitals, church services, or festival performances will find this piece both musical and practical. The scoring accommodates groups of six players while remaining accessible to ensembles with mixed ability levels. Directors seeking ceremonial music that doesn't compromise on artistry will return to this arrangement year after year.

How to get the most out of it

  • Shape the opening Jupiter quotation with architectural clarity; it serves as an introduction to the chorale proper, so resist lingering too long on individual notes.
  • Balance the six voices to let the chorale melody sing without overwhelming the inner harmonies; rotate which trumpet takes the lead line across multiple performances if desired.
  • Treat each repeat of the chorale as an opportunity to deepen the sound and intention rather than simply playing through again; the flexibility is a feature, not a shortcut.
  • Coordinate breathing strategically with the printed rests and longer note values so the ensemble breathes as one unit, maintaining the processional's forward motion.

How to use it

Program this as the closing selection for a brass recital, allowing the hymn's repeating structure to create a natural, meditative conclusion. It also serves perfectly as a processional for graduations, memorials, or other ceremonial occasions where you need music that is both recognizable and refined. Consider pairing it with shorter brass works to build a concert around a liturgical or celebratory theme.

Skills your students will build

  • Sustained phrase shaping in block harmony
  • Blending and balance across multiple trumpet voices
  • Ensemble breathing and coordination
  • Articulation consistency across six independent lines
  • Expressive interpretation of hymn-based material
  • Sight-reading complex score layouts with multiple parts

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