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Hunting the Wild Beast: String Orchestra Conductor Score

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Hunting the Wild Beast Cover Image

Hunting the Wild Beast: String Orchestra Conductor Score

By Brian Balmages

Grade: 2.5

Item: 98-ST6228S

$11.00
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Description
This tour-de-force takes listeners on a magical journey back to a time of dragons and wizards. After setting the stage for the start of the hunt, the music takes off in a pulsating rhythm as the chase ensues. Optional percussion adds to the film-score quality as the piece ultimately builds to a dramatic conclusion. Intense!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444562406
SKU: 98-ST6228S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor with an expansive portfolio spanning orchestral, band, and chamber music. His works have been commissioned and performed by ensembles at every level, from professional symphony orchestras to elementary school groups, in iconic venues including Carnegie Hall, the Kennedy Center, and Sydney Opera House.

Recognized with the A. Austin Harding Award from the American School Band Directors Association and the 2020 NBA William D. Revelli Composition Contest, Balmages holds membership in the American Bandmasters Association. He received the James Madison University Distinguished Alumni Award and was commissioned by the University of Miami to compose for the inauguration of its sixth president. His music was performed during the 2013 Presidential Inaugural Prayer Service. As a guest conductor, he regularly works with all-state ensembles, university groups, and professional orchestras worldwide, and currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages crafts narratives through orchestration that engage young string players without sacrificing musical integrity. The optional percussion parts elevate the dramatic arc without becoming a distraction, allowing conductors to scale the piece to their ensemble's instrumentation and confidence level. Strong Grade 2.5 writing that feels film-score ambitious yet remains well within reach.

What to expect

The hunt unfolds like a fantasy film score, beginning in hushed enchantment before erupting into breathless pursuit. Pulsating rhythms propel the drama forward, building relentlessly toward a climactic confrontation that leaves both players and listeners exhilarated.

Who it's for

String orchestra conductors building young players' ability to shape longer narrative forms and sustain dramatic tension. This piece works for middle school and early high school ensembles seeking repertoire that energizes audiences while remaining technically accessible.

How to get the most out of it

  • Shape the opening section with deliberate rubato to establish the fantasy world before the hunt begins; this gives players time to hear the story rather than rushing into the rhythmic intensity.
  • Lock the pulsating rhythm section once the chase begins by establishing a clear, unwavering tempo; consider having violas and cellos anchor the pulse with a click or light conducting gesture.
  • Build the dramatic conclusion gradually across all voices, resisting the urge to rush as dynamics swell; reserve full intensity only in the final measures for maximum impact.
  • If adding optional percussion, rehearse coordination with strings early so timpani and other parts enhance rather than overshadow the melodic line during transitions.

How to use it

Program this as a show-stopping second or third selection on a concert, pairing it with contrasting material (a lyrical arrangement or classical standard) to showcase your orchestra's range. The film-score sensibility and accessible difficulty make it ideal for recruiting-friendly concerts or young musicians' days where you want to grab attention and demonstrate what string orchestras can do.

Skills your students will build

  • Maintaining rhythmic precision in rapid, pulsating sections while keeping tone engaged
  • Creating and sustaining dynamic contrast across multiple voices during a long crescendo
  • Responding to expressive conducting in the opening section to establish character before the tempo increases
  • Balancing ensemble sound when optional percussion is added without losing string prominence

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