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Hunting the Wild Beast: String Orchestra Conductor Score & Parts

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Hunting the Wild Beast Cover Image

Hunting the Wild Beast: String Orchestra Conductor Score & Parts

By Brian Balmages

Grade: 2.5

Item: 98-ST6228

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Description
This tour-de-force takes listeners on a magical journey back to a time of dragons and wizards. After setting the stage for the start of the hunt, the music takes off in a pulsating rhythm as the chase ensues. Optional percussion adds to the film-score quality as the piece ultimately builds to a dramatic conclusion. Intense!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398227266
SKU: 98-ST6228

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a reputation as a composer and conductor equally comfortable in orchestral, band, and chamber settings. His works have been heard at Carnegie Hall, the Kennedy Center, and the Sydney Opera House, performed by ensembles ranging from professional symphony orchestras to school groups. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest for Love and Light.

Balmages holds membership in the American Bandmasters Association and has been honored with the James Madison University Distinguished Alumni Award. His music was featured in the 2013 Presidential Inaugural Prayer Service, and he has been commissioned to compose for major institutional events, including the inauguration of the University of Miami's sixth president. As a conductor, he appears regularly with all-state ensembles, university groups, and professional orchestras across the globe.

Why we love this

Balmages knows exactly how to pace a narrative in music, and this score proves it. The journey from hushed anticipation to driving pursuit to triumphant climax feels inevitable rather than forced, which is no small feat at Grade 2.5. Adding optional percussion lets you control the film-score energy without requiring a full pit, making this accessible for schools with limited resources.

What to expect

Picture a medieval tapestry coming to life. The music opens with mystery and anticipation before launching into a breathless chase, strings racing against each other in waves of urgent motion. The optional percussion reinforces the cinematic sweep, and by the final moments, the orchestra has become a single instrument driving toward an inevitable, exciting conclusion.

Who it's for

This works beautifully for young orchestras that need a piece with narrative drive and structural clarity. It's equally suited to concert programs seeking a crowd-pleasing novelty number that teachers can feel good about assigning, since it builds real conducting and rhythmic coordination skills.

How to get the most out of it

  • Build the pulsating rhythm section gradually during the chase. Ask your cellos and basses to lock in first, then layer violas and second violins until the pulse is unmistakable.
  • Shape the opening setting with careful dynamic control; too much volume here undercuts the drama of what comes next.
  • If you include the optional percussion, rehearse it separately at full tempo before integrating it with strings so the dramatic peak lands with maximum impact.
  • Balance is critical in the build to the finale. Assign specific volume responsibilities to each section so the crescendo feels coordinated rather than chaotic.

How to use it

Schedule this on a concert where you want to hook your audience early with something fun and theatrical. It pairs well on the same program as more serious repertoire because it gives your younger or less advanced players a chance to shine in the spotlight while satisfying that part of the audience that comes for entertainment alongside artistry.

Skills your students will build

  • Sustaining steady rhythmic pulse through extended passages
  • Shaping phrase continuity across dynamic changes
  • Balancing independent string lines in a driving texture
  • Responding to narrative structure in music (anticipation, action, resolution)

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