Hungarian Rhapsody No. 2, G. 359/2 Cover Image

Hungarian Rhapsody No. 2, G. 359/2: Conductor Score & Parts

$120.00 USD
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Hungarian Rhapsody No. 2, G. 359/2 Cover Image

Hungarian Rhapsody No. 2, G. 359/2: Conductor Score & Parts

By Franz Liszt / arr. Karl Muller-Berghaus

Item: 36-A165202

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Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is by far the most well-known of the collection. This orchestration by Karl Müller-Berghaus (1829-1907) is transposed down to the key of C-minor. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 746241282163
SKU: 36-A165202
Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Franz Liszt

Franz Liszt (1811-1886) was a Hungarian virtuoso pianist and composer whose technical innovations and dramatic flair transformed what the instrument could do. His Hungarian Rhapsodies grew from a deep connection to the folk music and czardas rhythms of his native country, blending authentic Hungarian idiom with the virtuosic language he pioneered in Romantic piano writing.

Beyond the keyboard, Liszt became a champion of orchestral color and programmatic music. His willingness to arrange and orchestrate works, including his own, reflected his conviction that great musical ideas transcend their original medium. In doing so, he helped establish orchestration itself as a compositional skill worthy of serious study.

Why we love this

This orchestration captures the showstopping brilliance of Liszt's most famous Rhapsody while making it accessible to orchestras without elite solo pianists. The transposition to C-minor (from the original C-sharp minor) sits more comfortably for the ensemble, and Müller-Berghaus's arrangement distributes the fireworks across multiple instrumental choirs, giving every section moments to shine and sustain audience energy through the full dramatic arc.

What to expect

This is an exhilarating rush of Romantic fervor, full of sudden key shifts and mood swings that keep the listener constantly surprised. The opening establishes brooding intensity; the presto sections burst with unbridled energy and folk-tinged swagger; quieter moments glow with romantic yearning before the piece barrels toward its virtuosic climax.

Who it's for

Conductors seeking a reliable, crowd-pleasing orchestral work that showcases ensemble virtuosity without requiring a piano soloist of rare ability. The flexible instrumentation (standard wind scoring with optional percussion expansion) suits orchestras of varying sizes who want to program something brilliant and recognizable.

How to get the most out of it

  • Treat the framing sections with rubato. The opening and slower passages benefit from slight flexibility in tempo, but lock the ensemble rhythm during the presto passages to prevent the faster material from dragging or fragmenting.
  • Balance the percussion carefully. With multiple percussion players, agree in advance on dynamics and articulation so timpani rolls, cymbals, and other effects enhance rather than overwhelm the orchestral texture.
  • Support the harp part visually. In orchestral works, the harpist often sits isolated; make eye contact during the rapid arpeggiations and any exposed solo sections so timing stays secure.
  • Shape the string writing with clear dynamic intention. This arrangement relies on string momentum to drive the rhapsodic sections; avoid letting repeated figures become mechanical or monotonous.

How to use it

Program this as a thrilling orchestral centerpiece in a concert built around Romantic virtuosity or to showcase your ensemble's technical chops. It pairs well with works that explore national identity or folk idiom, and its dramatic arc makes it equally suitable as a second-half opener or a showstopping finale.

Skills your students will build

  • Reading and executing rapid scalar and arpeggiated figures at tempo
  • Maintaining rhythmic precision during frequent meter and tempo shifts characteristic of the rhapsodic form
  • Balancing independent melodic lines across the orchestra while supporting a dominant voice
  • Responding to sudden dynamic and character changes while sustaining forward momentum
  • Coordinating with harp and percussion to achieve ensemble clarity in densely orchestrated passages

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