How Can I Keep from Singing?: SAB Choral Octavo
American Folk Hymn / arr. Andy Beck
Item: 00-PO-0000489
Minimum order quantity: 20 copies
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Description
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About the Arranger: Andy Beck

Andy Beck leads the choral publications division at Alfred Music, where he has developed a catalog of over 450 choral works, vocal resources, and children's musicals. His arrangements and compositions appear regularly in rehearsals across the country, and his influence extends to resource materials widely used in choir programs: Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique.
Beyond the publishing office, Beck maintains an active life as a performer and educator. He holds degrees in Music Education from both Ithaca College and Northwest Missouri State University, has served as guest conductor for honor choirs and all-state ensembles throughout the Southeast, and brings his tenor voice to musical theatre productions and the North Carolina Master Chorale Chamber Choir. His work as adjudicator, clinician, and commissioned composer reflects a deep commitment to choral artistry and music literacy in educational settings.
Why we love this
Beck strips away unnecessary complexity here, allowing the melody and text to speak clearly without sacrificing musical sophistication. The intentional simplicity means your singers can focus on ensemble blend, text communication, and interpretation rather than wrestling with technical demands, making this genuinely rewarding to prepare alongside other repertoire.
What to expect
The arrangement honors the quiet conviction of the original melody while the poignant text creates an intimate, reflective mood. Singing these words feels purposeful rather than decorative, and the straightforward harmonic language lets the sincerity of the message come through without distraction.
Who it's for
SAB choirs of any age seeking meaningful repertoire that doesn't demand extensive preparation time. Directors working with developing singers will find the accessible voicing builds confidence while still offering genuine musical substance suitable for contests, festivals, and concert programming.
How to get the most out of it
- Balance the three voices so that the melody line remains prominent while SAB spacing creates natural harmonic support; avoid letting the bass or alto overwhelm the tune.
- Shape phrases according to the text rather than mechanical four-bar patterns; listen for where the words breathe and where tension builds toward resolution.
- Establish a warm, connected vocal tone that honors both the folk origins and the spiritual depth of the material; encourage singers to think in terms of legit singing rather than a light or breathy sound.
How to use it
This works beautifully as a moment of stillness in a concert program, especially when paired with more energetic pieces. Its spiritual depth and universal message make it appropriate for sacred or secular programs, contest festivals, and events where meaningful communication matters as much as technical display.
Skills your students will build
- Balancing three-part mixed voicing with clear melody perception
- Connecting text expression to musical phrasing
- Singing with legit, connected tone in folk and sacred idioms
- Preparing repertoire efficiently while maintaining musical integrity