House of Gold Sheet Music Preview

House of Gold: SSATB, a cappella & Tenor Solo Choral Octavo

Words and music by Tyler Joseph / arr. Bryan Sharpe

Item: 00-PO-0003729

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$2.10

Minimum order quantity: 20 copies

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Description
This somewhat melancholy message of a son promising to help his mother was written and recorded by indie band Twenty One Pilots. Featuring a tenor solo, this arrangement is quickly-learned.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0003729

More about this title

About the Composer: Tyler Joseph

Tyler Joseph is the lead vocalist and primary songwriter of Twenty One Pilots, the Columbus, Ohio-based alternative hip-hop and rock band that emerged in the early 2010s. His compositions often blend introspective lyricism with genre-crossing instrumentation, drawing audiences across pop, rock, and alternative markets. Joseph's work demonstrates how contemporary songwriting can carry emotional weight and narrative depth while reaching broad audiences.

Why we love this

This arrangement captures the intimacy of a Twenty One Pilots original while remaining genuinely singable for high school and adult choirs. The tenor solo provides a natural focal point that keeps the piece engaging without demanding advanced soloists, and the a cappella texture forces your choir to listen to each other in ways that strengthen blend and intonation across the whole group.

What to expect

A quiet, sincere moment of devotion and duty. The arrangement preserves the original's gentle vulnerability while the a cappella setting creates an almost confessional intimacy, letting the emotional truth of the text come through without instrumental mediation.

Who it's for

High school and adult choirs seeking contemporary repertoire that resonates with singers and audiences alike. The quick learning curve makes it ideal for groups working with limited rehearsal time or wanting to add pop arrangements to their season without overextending preparation schedules.

How to get the most out of it

  • Balance the tenor solo carefully during rehearsals; the surrounding voices should support rather than compete, which often means pulling back SATB blend slightly during solo passages.
  • Pay attention to the melancholy affect in the text by maintaining clear vowel shapes and avoiding rushed tempos, even though the piece is quickly-learned.
  • Work the unison or near-unison sections methodically to ensure all parts lock together without one voice leading the others.

How to use it

Pair this with other contemporary pop or indie arrangements to build a thematic concert segment, or position it as a moving contrast within a program that otherwise features classical or traditional repertoire. Its compact nature and strong emotional arc make it an effective closer for shorter concerts or competitions.

Skills your students will build

  • Balancing solo and ensemble textures in a cappella settings
  • Maintaining blend and intonation without instrumental support
  • Interpreting contemporary songwriting and text-driven phrasing
  • Singing across popular music styles with musical maturity

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