Hot Chocolate!: 3-Part Mixed Choral Octavo
Words by Andy Beck and Brian Fisher, music by Andy Beck
Item: 00-PO-0001536
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 choral works now in circulation. His output spans vocal resources, children's musicals, and pedagogical materials including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique. A trained tenor with degrees from Ithaca College and Northwest Missouri State University, Beck regularly guest conducts honor choirs across the Southeast, adjudicates festivals, and leads clinics for music educators.
Beyond his role at Alfred, Beck performs with the North Carolina Master Chorale Chamber Choir and has worked as a studio singer since 1992. His music reaches singers worldwide, as evidenced by consistent YouTube performances of his compositions. He brings equal passion to musical theatre direction and arts advocacy, grounding his prolific output in deep knowledge of what works in rehearsal and what engages young singers.
Why we love this
Beck understands how to build energy and joy into a choral moment without sacrificing musicality. The Latin rhythms pulse with infectious life, and the optional speech choir section gives singers a different way to engage the text while adding textural variety to your rehearsal. Winter concerts need pieces that feel like events, and this one delivers both musical substance and choreographic payoff.
What to expect
Warm, playful, and undeniably fun. The Latin grooves pull the listener in immediately, while the animated speech choir sections add theatrical flair and humor. This is music that makes audiences smile and singers feel like they're in on the joke.
Who it's for
Choirs with solid ensemble cohesion and comfort with Latin rhythms will find this accessible and rewarding. The 3-part mixed voicing works well for groups balancing changing voices with more mature singers, and the novelty element makes it ideal for singers who thrive on contemporary, high-energy material.
How to get the most out of it
- Nail the rhythmic precision in the Latin sections by isolating the percussion pattern first, then layering voices in. This groove is the engine of the whole piece.
- Explore the recorded accompaniment early in rehearsal so singers can feel how the arrangement sits with the full harmonic and rhythmic context.
- Integrate the mug choreography gradually; teach the movement vocabulary separate from the singing initially, then combine them once both elements are secure.
- Pay attention to the diction and articulation in the speech choir moments. Clarity and rhythmic unity here create the comedic landing that audiences expect.
How to use it
This sits perfectly in the second half of a winter concert where you've built audience rapport and can lean into entertainment. Pair it with a contrasting slower piece to showcase range, or program it as your closer to send the audience out energized. The movement component also works beautifully for school assemblies or pep rallies beyond the concert setting.
Skills your students will build
- Latin rhythmic patterns and syncopation
- Ensemble precision in sections with speech choir and singing
- Diction and articulation in high-energy, rhythmically complex passages
- Movement integration with singing while maintaining vocal quality