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Hopscotch: Brass Ensemble Conductor Score

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Hopscotch: Brass Ensemble Conductor Score

By Brian Balmages

Grade: 5

Item: 98-BR2003S

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Description
Premiered at the 1999 Southeastern Tuba-Euphonium Conference, this brass quintet featuring solo tuba is written in an exciting multi-meter style that will challenge the musicians and captivate your audience at the same time. For the advanced, mature ensemble.

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Additional Details
Series: FJH Solo and Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 241444597088
SKU: 98-BR2003S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages is a prolific composer whose works span orchestral, band, and chamber repertoire and have been heard in major concert halls worldwide, from Carnegie Hall to the Sydney Opera House. His accolades include the A. Austin Harding Award from the American School Band Directors Association, the 2020 NBA William D. Revelli Composition Contest, and membership in the American Bandmasters Association. His compositions have been performed at the Presidential Inaugural Prayer Service and commissioned by universities including the University of Miami.

As a conductor, Balmages maintains an active schedule guest conducting all-state ensembles, university groups, and professional orchestras across North America, Australia, and Europe. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, bringing his expertise in both composition and education to a wide audience of musicians and educators.

Why we love this

Balmages crafts the multi-meter writing here to feel natural rather than academic, which means your players will focus on music-making instead of counting. The tuba gets genuine solo material that puts the ensemble spotlight exactly where a tuba conference premiere suggests it should be, giving your lowest voice the chance to shine while the quintet texture keeps everyone engaged.

What to expect

Hopscotch bounces between meters with the kind of playful confidence that only comes from solid compositional craftsmanship. The tuba steps into the spotlight with material that's both technically engaging and musically substantive, while the quintet texture keeps the sound intimate even at concert volume.

Who it's for

Advanced brass quintets ready to tackle metric modulation and sophisticated ensemble writing. This works best with mature players who can hear independence within tight harmonic voicing.

How to get the most out of it

  • Establish a rock-solid pulse before rehearsal by conducting the underlying beat beneath the meter shifts; your ensemble will trust the changes if they feel anchored.
  • Balance the tuba solo so it projects without overwhelming the supporting voices. The quintet texture requires clarity from all five players.
  • Let the energy build naturally through the multi-meter sections rather than rushing. The style demands precision but not tension.

How to use it

Program this as a centerpiece for a brass chamber concert or as a highlight in a jazz and contemporary music set. It pairs well with other quintet repertoire but stands equally strong as a solo feature for an advanced brass ensemble.

Skills your students will build

  • Reading and performing mixed meters with confidence
  • Maintaining ensemble cohesion through metric shifts
  • Balancing solo material within quintet texture
  • Shaping phrasing across non-traditional harmonic progressions
  • Responding to the tuba as a lead voice rather than a supporting foundation

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