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Hopelessly Devoted to You: SAB Choral Octavo

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Hopelessly Devoted to You Cover Image

Hopelessly Devoted to You: SAB Choral Octavo

From the Musical Grease

Words and music by John Farrar / arr. Greg Gilpin

Item: 00-27830

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Description
With the 2007 Broadway revival of the musical Grease (and the hubbub leading up to it with the TV reality show "You're the One That I Want"), your choirs will beg to perform this new choral arrangement by Greg Gilpin. Great fun for mixed voices, but an extra special feature for your SSA ensembles.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081297323
SKU: 00-27830

More about this title

About the Composer: John Farrar

John Farrar composed and produced music for some of the most iconic film and stage musicals of the 1970s and beyond. His work on the original Grease soundtrack helped define the sound of that era, blending rock sensibility with theatrical storytelling in ways that appealed to mainstream audiences while maintaining musical integrity.

Farrar's gift for writing memorable melodies that sit naturally in singers' voices makes his music particularly valuable for choral arrangers. His songs have been adapted countless times across genres and ensemble types, proving their resilience and universal appeal.

Why we love this

Greg Gilpin's arrangement gives this iconic moment from Grease genuine choral substance without stripping away the song's theatrical energy and emotional directness. The SAB voicing opens the piece to more mixed choirs while remaining deeply satisfying for treble ensembles, making it a rare selection that serves multiple ensemble needs on the same piece.

What to expect

A moment of theatrical confession set to a pop-influenced melody that sits comfortably in the middle voice range. The arrangement balances theatrical sincerity with singability, allowing performers to feel the urgency of devotion without vocal gymnastics getting in the way of honest expression.

Who it's for

Mixed choirs and SAB ensembles looking for contemporary Broadway material that has proven staying power and genuine emotional weight. This works especially well for groups performing in the spring or preparing a musical theatre concert, and for students who connect with popular culture and want to sing music they actually care about.

How to get the most out of it

  • Nail the balances in the verse: the alto and bass lines provide harmonic support, but the soprano melody must cut through clearly so the story lands with your audience.
  • Lean into the vulnerability of the text rather than rushing the tempo; this is a moment of heartfelt pleading, not a uptempo novelty number.
  • Use the recorded accompaniment as a learning tool, but consider rehearsing some passages a cappella to ensure singers own the harmony and aren't relying solely on the track.

How to use it

Program this as a centerpiece in a Broadway or musical theatre concert, or pair it with other Grease selections if your ensemble is preparing a fuller tribute to the show. It also works beautifully in a pop choral set that mixes era-defining hits with contemporary songs, giving your program both nostalgic appeal and theatrical legitimacy.

Skills your students will build

  • Balancing a prominent soprano melody against supporting alto and bass lines
  • Shaping phrases with theatrical intention rather than purely musical phrasing
  • Singing pop-influenced music with choral blend and precision
  • Interpreting text-driven dynamics and emotional arc within a contemporary idiom

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