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Hope Rising: Concert Band Conductor Score & Parts

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Hope Rising: Concert Band Conductor Score & Parts

By Tyler S. Grant

Grade: 1

Item: 98-TSGB022

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Develop your ensemble's tone, phrasing, and overall musicianship with this beautifully lyrical work. Hope Rising by Tyler S. Grant for concert band was recorded by the Atlanta Wind Symphony. (2:15)

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Additional Details
Series: Tyler S. Grant Music Works
Publisher: Tyler S. Grant Music Works, LLC.
UPC: 038081584157
SKU: 98-TSGB022

More about this title

About the Composer: Tyler S. Grant

Tyler S. Grant

Tyler S. Grant has established himself as a prolific voice in band music, with compositions regularly performed by regional and all-state ensembles across North America. His work Panoramic Fanfare won the Dallas Wind Symphony's 2014 "Call for Fanfares" Competition and has since become a staple on collegiate and professional programs. Since 2010, he has maintained a steady output of commissions and new publications while balancing an active schedule as a conductor and clinician.

Grant's experience extends across major concert halls including Carnegie Hall, the Meyerson Symphony Center, and The Midwest Clinic, where his music reaches both student and professional audiences. He has clinicked with over 100 school programs across 15+ states and contributed to Alfred Music's Sound Innovations series. A University of Alabama graduate, Grant studied instrumental music education and conducting under Randall Coleman, foundations that inform both his writing and his work with ensembles.

Why we love this

Grant's ability to craft elegant, singable lines that engage without overwhelming Grade 1 players sets this apart from typical easy-level fare. The lyrical writing naturally draws musicians into conversations about phrasing and tone quality, making it an ideal vehicle for addressing musicianship fundamentals. With a recording by the Atlanta Wind Symphony on hand, students can hear exactly what Grant intended before rehearsal begins.

What to expect

Hope Rising unfolds with quiet confidence, built on a foundation of open, singing writing that invites players to listen to one another. The title comes alive through music that never forces; instead, it suggests uplift and forward motion through the natural arc of its phrases.

Who it's for

Directors seeking Grade 1 repertoire that teaches real musicianship concepts without requiring technical wizardry from their players. This works especially well for ensembles ready to move beyond simple note-reading and start thinking about interpretation.

How to get the most out of it

  • Shape the melodic line with subtle dynamic inflation at phrase peaks; resist the temptation to stay flat throughout simply because the grade level is low.
  • Use the recorded reference to calibrate ensemble balance and sound weight, then allow your own interpretation to emerge in rehearsal.
  • Give attention to breath placement in longer phrases; mark these collaboratively with your sections so phrasing feels organic rather than marked.
  • Let sustained sonorities breathe by releasing with intention, not abruptly.

How to use it

This fits beautifully in a concert's opening section, where it can settle an audience and establish the ensemble's sound quality before heavier works follow. It pairs well with neoclassical or contemporary concert-openers and works equally effectively as a festival selection where musicianship and tone quality matter as much as technical display.

Skills your students will build

  • Shaping longer phrases with dynamic intention
  • Balancing ensemble blend across different section densities
  • Understanding how silence and release contribute to musical expression
  • Connecting lyrical writing to posture and breathing technique

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