Hopak! Cover Image

Hopak!: String Orchestra Conductor Score & Parts

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Hopak! Cover Image

Hopak!: String Orchestra Conductor Score & Parts

By William Owens

Grade: 2.5

Item: 98-ST6361

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Description
Inspired by Ukrainian folk melodies, this highly spirited work is captivating in every way! As the fiery opening statement is unleashed, students project pure excitement to the very end. Optional percussion parts are very accessible and will vastly enhance your performance. An excellent way to top off any concert program!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hopak!: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
SKU: 98-ST6361

More about this title

About the Composer: William Owens

William Owens

William Owens has spent decades writing music that works in real rehearsals with real students. A Gary native and VanderCook graduate, he's built an extraordinary catalog of over 300 titles since 1993, establishing himself as a composer who understands what young musicians need to succeed. His work appears on festival lists and in educational curricula across the country, earned him recognition as a Distinguished Alumnus, and has been the subject of analysis in music education texts.

Owens spent 30 years as a high school band director in Texas before formally retiring in 2014, bringing that classroom experience directly into his compositions. His membership in ASCAP, TMEA, and the American Bandmasters Association reflects his continued involvement in the music education community. He now resides in Fort Worth with his wife Georgia, splitting his time between composing, conducting clinics, and traveling.

Why we love this

This arrangement captures the restless energy of Ukrainian folk music and channels it into something your students will actually want to rehearse. The percussion parts stay accessible while still lifting the whole sound, and the spirited arc keeps ensemble focus sharp throughout a full performance. Programming it as a concert closer gives you a piece that sends the audience out energized.

What to expect

Hopak opens with unstoppable forward momentum, the kind of orchestral urgency that captures a room immediately. Ukrainian folk melody runs through the fabric, giving the piece cultural specificity while maintaining the accessibility Grade 2.5 students need. From first note to final statement, the work sustains excitement without a wasted moment.

Who it's for

String orchestras in grades 2 through 3 who want a concert piece with genuine character and built-in crowd appeal. Directors seeking multicultural repertoire that feels substantial rather than superficial will find solid construction here, and your students will enjoy the infectious energy without getting bogged down in technical complexity.

How to get the most out of it

  • Shape the opening statement with clear dynamic intent. The fiery character only lands if your strings commit fully to the initial gesture and sustain that projection forward.
  • Balance the optional percussion parts carefully in your first run-throughs. They enhance texture without needing to dominate; let them reinforce rhythmic drive rather than compete for attention.
  • Mark consistent tempo early in rehearsals. The spirited character depends on rhythmic security across all sections, especially as folk melodies weave through the ensemble.

How to use it

Save this for your finale. After a concert of varied repertoire, Hopak sends the audience out with the energy and goodwill that makes them want to return for your next concert. It also works well as a festival or contest opener, where an immediate strong impression serves your ensemble's momentum.

Skills your students will build

  • Sustaining rhythmic drive across extended passages with consistent pulse
  • Balancing individual melodic lines within ensemble texture
  • Responding to Ukrainian folk idioms and articulation patterns
  • Coordinating with optional percussion in mixed ensemble settings

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