Homeward Bound Cover Image

Homeward Bound: 3-Part Mixed Choral Octavo

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Homeward Bound Cover Image

Homeward Bound: 3-Part Mixed Choral Octavo

By Carl Strommen

Item: 00-SV9061

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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Homeward Bound: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Studio PR Catalog
Publisher: Alfred Music
Page Count: 8
UPC: 029156130690
SKU: 00-SV9061

More about this title

About the Composer: Carl Strommen

Carl Strommen

Carl Strommen stands among the most frequently performed composer/arrangers working across band, orchestra, jazz ensemble, and choral settings. His music appears regularly in concert halls, broadcast television, and film scores, and he maintains an active schedule as both a clinician and commissioned composer. His extensive catalog has earned him the ASCAP Standard Writers Award year after year.

Strommen holds a degree from City College of New York and currently serves as an adjunct professor of orchestration and composition at C.W. Post Campus of Long Island University in Brookville, New York. He divides his time between Long Island and extended stays in Denver and Boulder, Colorado.

Why we love this

Strommen writes choral music that connects immediately with singers and audiences alike. This piece balances accessibility with genuine musical substance, making it equally suitable for a spring concert or a festival competition without feeling routine or oversimplified.

What to expect

Homeward Bound carries warmth and sincerity without sentimentality. The piece unfolds with a sense of arrival and arrival, inviting singers to connect emotionally while staying grounded in musical clarity.

Who it's for

Treble, mixed, and tenor-centered choirs at the middle school through high school level will find this accessible without compromise. It works well for groups preparing for festival adjudication or looking to strengthen sight-reading and part independence.

How to get the most out of it

  • Establish the harmonic foundation early in rehearsal by isolating the three voice parts separately. Strommen's writing is clear, but singers need confidence in their lines before full ensemble blend.
  • Shape phrases musically rather than mechanically. Even at this approachable level, attention to dynamics and textual meaning prevents the piece from sounding generic.
  • Balance the parts carefully during full rehearsal. The three-part texture benefits from equal voice presence rather than soprano dominance.

How to use it

Program this as a contrasting lighter selection within a mixed concert, or lead with it in a festival setting where judges appreciate clear voicing and musicianship. Its moderate length and balanced emotional tone make it an excellent anchor piece between more elaborate numbers.

Skills your students will build

  • Part independence in three-part mixed voicing
  • Sustained phrasing across multiple measures
  • Balance and blend in a limited-voice ensemble
  • Text expression within a straightforward harmonic context

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