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Home of the Brave: Concert Band Conductor Score

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Home of the Brave Cover Image

Home of the Brave: Concert Band Conductor Score

A Fantasia on "The Star Spangled Banner"

By John Stafford Smith / arr. John M. Pasternak

Grade: 4

Item: 98-RWS180101

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Description
Home Of The Brave stems from a final sentence in the Star-Spangled Banner — that the United States' flag would forever stand. John M. Pasternak takes a contemporary approach to the Star-Spangled Banner as the melody line is woven through various instruments as solo lines on top of new and intriguing harmonies. The work culminates with the traditional playing of "O say does that Star-Spangled Banner" and then fades into the distance.

Original Item#: RWS-1801-01

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Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
ISBN10: 1-4706-9872-2
ISBN13: 978-1-4706-9872-0
UPC: 038081614571
SKU: 98-RWS180101

More about this title

About the Composer: John Stafford Smith

John Stafford Smith (1750, 1836) composed one of the most enduring melodies in American history. A British organist and composer, Smith created the tune for "The Star-Spangled Banner" in the late 18th century, originally pairing it with a now-forgotten patriotic poem. His gift for memorable, singable melody ensured his creation would outlast his other compositions by centuries.

Smith's work demonstrates the power of a strong melodic line, something that resonates across generations and cultures. His tune has become inseparable from American identity, making him an unlikely but essential figure in the nation's musical heritage.

Why we love this

Pasternak's treatment respects the gravity of the original melody while refusing to be bound by it. Rather than a straightforward harmonization, this score redistributes the anthem across your ensemble, creating dialogue between sections and building fresh harmonic contexts around a melody everyone knows. The payoff, a return to the traditional arrangement before fading into silence, lands with genuine emotional weight because of the journey that precedes it.

What to expect

This piece inhabits an interesting middle ground between reverence and reimagining. The opening feels searching and modern, with the melody emerging like a thread being pulled through unfamiliar fabric. When the traditional arrangement finally arrives near the end, it carries weight earned through contrast rather than assumption, before dissolving quietly into suggestion.

Who it's for

Directors programming concert or festival performances who want to engage with patriotic material in a thoughtful, musically sophisticated way. Grade 4 bands with solid fundamentals in melody reading and section balance will find the contemporary harmonies both accessible and rewarding.

How to get the most out of it

  • Balance the solo lines carefully as the Star-Spangled Banner passes between instruments; clarity matters more than volume, particularly in the contemporary harmonic sections.
  • Work with your section leaders to maintain steady pulse and intonation during the new harmonic passages, which may feel less anchored than traditional voicings.
  • Shape the final statement of the full traditional melody with deliberate restraint; let it breathe and settle rather than swell to full volume.
  • Attend closely to the fade at the end, this requires controlled diminuendo across the entire ensemble and careful attention to balance as dynamics recede.

How to use it

Consider pairing this with your spring concert's opening or closing slot, particularly if your program explores how classical materials can be reframed for contemporary audiences. It also serves as a substantive contest entry that stands apart from more conventional patriotic arrangements while remaining accessible to Grade 4 players.

Skills your students will build

  • Following solo line entrances across the ensemble
  • Maintaining pitch in unfamiliar harmonic contexts
  • Listening for and supporting featured melodic statements in other sections
  • Executing controlled dynamic changes, especially extended decrescendos
  • Understanding how a familiar melody can be recontextualized without losing its identity

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