Home: SATB Choral Octavo
(Recorded by Phillip Phillips)
Words and music by Drew Pearson and Greg Holden / arr. Greg Gilpin
Item: 00-PO-0001722
Minimum order quantity: 20 copies
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More about this title
Why we love this
Greg Gilpin's arrangement captures the intimate warmth of the original while giving your choir room to breathe with a folk-driven sound that feels contemporary without demanding advanced harmonic reading. The piece sits comfortably for mixed voices and builds genuine emotional resonance without relying on complex arranging tricks.
What to expect
Warm, reassuring, and genuinely hopeful. The folk-like melody settles into your singers' voices easily, while the harmonic support underneath feels steady and grounded. There's an intimacy here that invites audiences in rather than impressing them.
Who it's for
Choirs of mixed ability seeking repertoire that connects to contemporary music without sacrificing musicality. This arrangement works for high school choirs, adult community ensembles, and anyone looking to bridge the gap between popular music and choral literacy.
How to get the most out of it
- Lean into the folk character by keeping the tempo conversational and unhurried; resist the urge to push the pace, which flattens the lyrical quality.
- Balance the inner voices carefully during sections where harmony thickens; the alto and tenor lines support the message rather than compete for attention.
- Use the recorded accompaniment to lock in your rhythmic phrasing, which is straightforward but benefits from the reference of the original groove.
How to use it
Program this as an emotional anchor in a concert that mixes genres. It pairs well with contemporary choral arrangements or as a bridge between more classical works and popular selections, giving your audience a moment of genuine connection and sincerity.
Skills your students will build
- Phrasing in contemporary vocal writing
- Blend and balance in four-part harmony
- Maintaining emotional authenticity while singing arranged popular music
- Rhythmic accuracy in folk-influenced harmonic contexts