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Home: SATB Choral Octavo

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Home: SATB Choral Octavo

Words and music by Michael Bublé, Amy Foster-Gillies, and Alan Chang / arr. Jay Althouse

Item: 00-31035

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Description
Michael Bublé's incredible hit song is now available for your choral groups. Optional opening solos blossom into a beautiful, heartfelt, and lush choral arrangement. Perfect for spring concerts.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081338071
SKU: 00-31035

More about this title

About the Composer: Michael Bublé

Michael Bublé is a Canadian singer and songwriter whose smooth vocal style and interpretations of jazz standards and contemporary pop have made him one of the best-selling artists of the 21st century. His work spans multiple genres, from traditional swing to modern pop ballads, and his compositions often emphasize emotional warmth and accessibility. In choral arranging contexts, Bublé's songs offer rich harmonic possibilities and singable melodies that translate remarkably well to ensemble settings.

Amy Foster-Gillies and Alan Chang co-wrote "Home" with Bublé, contributing to the song's lyrical depth and emotional resonance. The songwriting partnership created a piece that balances intimate sentiment with universal themes, making it ideal material for choral adaptation.

Why we love this

Jay Althouse's arrangement captures the song's warmth while giving your singers room to shine through optional solos and rich four-part writing. The piece builds naturally from intimate vocal moments into full choral texture, creating genuine emotional arc without requiring a large ensemble. Your singers will connect immediately with this contemporary song, and audiences respond enthusiastically to music they recognize and love.

What to expect

Bublé's "Home" evokes comfort, longing, and belonging. Althouse's arrangement preserves that intimate quality while layering lush harmonies that feel both modern and timeless. The piece radiates sincerity and warmth, creating spaces where both solo voices and ensemble writing invite the audience into something genuinely moving.

Who it's for

This arrangement works beautifully for high school and collegiate choirs with intermediate to advanced singers who can navigate contemporary harmonic language. Community choirs and church ensembles will also appreciate the piece's accessibility and emotional appeal, especially groups looking to add meaningful contemporary material to their repertoire.

How to get the most out of it

  • Balance the optional opening solos carefully; they should feel intimate and conversational rather than showstopping. The soloists set the emotional tone for what follows.
  • Support the legit voicing by maintaining consistent vowel shapes across all four parts, especially in the sustained moments where blend becomes most noticeable.
  • Shape the dynamic arc deliberately as the arrangement moves from solo passages into full choir; avoid sudden jumps by layering voices gradually.
  • Use the recorded accompaniment to lock the harmonic foundation, allowing singers to focus on text expression and phrase shaping.

How to use it

This piece anchors a spring concert beautifully, either as a closing number that leaves audiences emotionally satisfied or as a bridge between repertoire styles (pairing well with both classic choral standards and other contemporary pop arrangements). It also works excellently as a showcase piece for singers developing solo confidence, since the optional solos give featured performers a meaningful moment while keeping the full choir engaged.

Skills your students will build

  • Sustaining legit vocal production in contemporary harmonic contexts
  • Balancing solo passages with ensemble blend and dynamics
  • Shaping phrasing in popular music arrangements without oversinging
  • Blend and intonation in extended chord structures

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