Holiday Lights Sheet Music Preview

Holiday Lights: 3-Part Mixed (with Opt. Flashlight Choreography) Choral Octavo

Words and music by Sally K. Albrecht / arr. Jay Althouse

Item: 00-PO-0006553

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
One of Alfred's best selling 2-part songs is now available in a new arrangement for 3-part mixed voices. Flashlights covered with red, green, and gold tissue paper or cellophane make wonderful unexpected props for this multi-holiday choral feature. Use Sally's staging suggestions (included in the publication) or the upbeat SoundTrax CD, to set the mood for a very happy holiday. Staging is featured on "Follow Me to the Top!" DVD #23853, VHS #23855.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0006553

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at major educational music publishers, and continuously as a prolific composer whose work totals more than 600 choral publications alongside 75 musicals and songbooks. A two-time ASCAP Special Music Award recipient since 1987, she has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, establishing herself as a leading voice in choral movement and staging.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

This arrangement takes a proven crowd-pleaser and reimagines it for three-part mixed voices, making it accessible to more mixed choirs while keeping the theatrical energy intact. The optional flashlight choreography transforms a simple prop into genuine visual magic, and Albrecht's staging notes eliminate guesswork so you can focus on building strong vocal lines.

What to expect

Bright, celebratory, and playful. The piece radiates holiday warmth through upbeat rhythms and accessible melodies, enhanced by the unexpected charm of glowing flashlights moving in coordinated patterns. It's the kind of performance that reminds singers why they love being in choir.

Who it's for

Mixed choirs in middle school, high school, and community settings looking for holiday repertoire that entertains without sacrificing musical substance. The three-part writing sits comfortably for developing singers while maintaining enough energy and novelty to engage audiences.

How to get the most out of it

  • Coordinate flashlight colors (red, green, gold) with your lighting design; even subtle stage lighting will amplify the effect when combined with the choreographed movements.
  • Use the SoundTrax accompaniment recording to establish the rhythmic groove, then work toward a performance where your ensemble owns the tempo and pocket.
  • Divide rehearsal time between vocal learning and movement integration; staging the piece earlier rather than later helps singers commit lyrics and melodies to muscle memory.

How to use it

Book this as a concert opener or closer for a winter holiday show; its theatrical nature and built-in staging make it an ideal anchor point around which you can build a larger thematic program. The novelty appeal also makes it excellent for community holiday events, pep rallies, or outreach performances where you want to showcase both musicianship and creativity.

Skills your students will build

  • Singing in three-part mixed voicing (SAB) with secure harmony
  • Integrating movement and choreography with vocal performance
  • Responding to dynamic staging cues while maintaining musical focus
  • Building ensemble cohesion across both musical and visual elements

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