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Holiday Jam: Jazz Ensemble Conductor Score & Parts

$35.00 USD
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Holiday Jam Cover Image

Holiday Jam: Jazz Ensemble Conductor Score & Parts

Traditional / arr. Victor López

Grade: 0.5 (Very Easy)

Item: 00-JEM03025

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Description
"Holiday Jam," based on the traditional carol "Angels We Have Heard on High," will be the highlight of your holiday concert performance. Written for the very beginning jazz student, this chart is carefully crafted for the limitations of the beginner. Arranger Victor López provides many instrumentation options, easy ranges, and rhythms, along with a fail-safe solo section. Blues it up for the holidays! (3:04)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Holiday Jam: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Beginnings Series
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7579-3505-2
ISBN13: 978-0-7579-3505-3
UPC: 654979056409
SKU: 00-JEM03025

More about this title

About the Arranger: Victor López

Victor López is an arranger known for creating accessible jazz literature for student ensembles. His work prioritizes pedagogical clarity without sacrificing genuine musical character, making him a trusted voice in jazz education.

Why we love this

López understands the real constraints of beginning jazz students and builds the arrangement around those limits rather than around impressive showmanship. The fail-safe solo section and flexible instrumentation options mean your students will sound confident even if players are absent or still developing their chops.

What to expect

The familiar melody of "Angels We Have Heard on High" takes on a swinging, bluesy warmth. It's sophisticated enough to sound like real jazz, but approachable enough that students hear themselves making actual music on night one of rehearsal.

Who it's for

Beginning jazz ensemble students who need a genuine performance-ready chart without excessive technical demands. This works equally well for traditional jazz bands, school jazz ensembles, or community jazz groups introducing young players to the idiom.

How to get the most out of it

  • Lock the rhythm section (piano, bass, drums) first during sectional rehearsals. These players set the groove, so their comfort with the chart pays dividends across the entire ensemble.
  • Keep the tempo relaxed during early run-throughs. The blues feel will land better if players aren't rushing the syncopated rhythms.
  • Prepare soloists well in advance. The fail-safe solo section is constructed to handle varying skill levels, but students play better when they've had time to practice their spot.
  • Balance the melody between trumpet and saxophones. This chart distributes the tune intentionally, so listen for blend rather than one section dominating the traditional carol.

How to use it

Slot this into your December concert as a guaranteed crowd-pleaser that bridges the gap between your concert band repertoire and full jazz performance. The familiar carol hooks the audience immediately while your jazz ensemble earns genuine applause.

Skills your students will build

  • Reading jazz notation and swing rhythms
  • Comping and rhythmic ensemble cohesion in blues tonality
  • Basic jazz improvisation within a structured framework
  • Flexible instrumentation awareness and part substitution
  • Balancing melody, harmony, and rhythm section as a unified ensemble

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