Hodie! Cover Image

Hodie!: SA Choral Octavo

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Hodie! Cover Image

Hodie!: SA Choral Octavo

By Alexander L'Estrange

Item: 12-0571572065

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Description
"Hodie" was written for Portsmouth Grammar School and is an ideal opener for Christmas concerts. The soaring vocal lines are underpinned by a rhythmic and harmonically rich organ part, resulting in a joyous and accessible work suitable for choral societies, church and school choirs. Arranged for soprano and alto voices and organ. Part of Faber Music's Choral Signature Series.

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Additional Details
Series: Faber Edition: Choral Signature Series
Publisher: Faber Music
ISBN10: 0-571-57206-5
ISBN13: 978-0-571-57206-9
UPC: 9780571572069
SKU: 12-0571572065
Instrumentation: with Organ

More about this title

About the Composer: Alexander L'Estrange

Alexander L'Estrange is a British composer and organist whose sacred choral works have become fixtures in school and church music programs across the UK. His writing demonstrates a gift for crafting accessible yet musically substantial pieces that engage singers while remaining practical for rehearsal and performance.

Why we love this

L'Estrange has written a piece that genuinely sounds like Christmas without relying on carols or heavy orchestration. The SA voicing is refreshingly practical for school and community choirs, and the organ part carries enough harmonic and rhythmic interest to support and elevate the vocal lines rather than simply accompany them.

What to expect

Joyous and bright without being simplistic. The soaring vocal lines create a sense of celebration and uplift, while the harmonically rich organ writing adds warmth and depth underneath, resulting in a piece that feels both immediate and rewarding.

Who it's for

School choirs and choral societies with moderate ensemble size and access to an organ or skilled pianist. The piece works equally well for church choirs preparing Christmas services and for concert choirs seeking a festive yet substantive opening number.

How to get the most out of it

  • Balance the soprano and alto lines carefully in the opening; the soaring quality depends on both voices being heard clearly without one dominating.
  • Work with your organist to ensure the rhythmic drive of the organ comes through without rushing the choir's phrasing.
  • Shape the piece with dynamic contrast rather than trying to sustain intensity throughout; this allows the joyous character to breathe and land freshly at key moments.

How to use it

Program this as your opening work for a Christmas concert; it immediately establishes a festive mood and showcases your choir's vocal quality before moving into other repertoire. It also works well as a service anthem in a church setting, where the organ integration feels natural and the duration is ideal for liturgical use.

Skills your students will build

  • Sustaining long vocal lines over rhythmically active accompaniment
  • Blending and balancing two-part harmony while maintaining individual line independence
  • Responding to organic harmonic movement and phrasing cues from the organ part
  • Singing with clarity and projection in a bright vocal register

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