Hine Ma Tov: 3-Part (any combination) Choral Octavo

$2.25 USD

Hine Ma Tov: 3-Part (any combination) Choral Octavo

Name: Hine Ma Tov: 3-Part (any combination) Choral Octavo
Brand: Alfred Music
SKU: 00-23029
Price: 2.25 USD
Availability: InStock

Arr. Sally K. Albrecht

Item: 00-23029

Need it now?

Buy Digital Version

$2.25

Shipped

One moment…

Finally, something different for Hanukkah or any time of year. A traditional Israeli folk text is sung as a lyrical melody which floats over the graceful piano accompaniment. This quiet unison theme swells into a dramatic canon and fades again as the brief Hebrew text is translated into English in its final, delicate phrase. Any combination of three voice parts and an optional SoundTrax CD allow for ensemble flexibility. An artistic, effective setting.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hine Ma Tov: 3-Part (any combination) Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.

No sample videos found.

Series: Alfred Archive Edition: Alfred Choral Designs

Publisher: Alfred Music

Page Count: 8

UPC: 038081222134

SKU: 00-23029

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral education as a composer, conductor, and clinician for over four decades. She has received the ASCAP Special Music Award annually since 1987 and maintains more than 600 published choral works in print, along with 75 larger musicals and songbooks. Her conducting has been featured at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival performances nationwide.

Albrecht spent more than thirty years directing school choral, vocal, and elementary publications at leading educational music publishers, including a long tenure at Alfred Music. She has taught at Oakland University, Jersey City State College, and Meredith College. Her degrees include a B.A. from Rollins College (1976) in Music and Theater, an M.A. in Drama from the University of Miami (1977), and an M.M. in Accompanying from the University of Miami (1979). In 2021, she received the Distinguished Alumna Award from both institutions.

Show moreShow less

Why we love this

Albrecht's arrangement transforms a beloved Hebrew prayer into a flexible, dramatically satisfying arc that moves from intimate unison into soaring canon before settling into English translation. The piece solves the real challenge of finding substantive Hanukkah literature that works for mixed-voice ensembles without demanding soprano specialists. The optional SoundTrax accompaniment gives choirs autonomy to perform with or without recorded support, making this work accessible for groups of varying rehearsal time and accompanist availability.

What to expect

The opening unfolds like a quiet prayer, the melody floating above gentle piano harmonies with an unhurried, meditative quality. As the canon builds, the texture grows luminous and full, creating a moment of genuine drama before dissolving back into simplicity and the tender clarity of English words.

Who it's for

Choirs with mixed or flexible voicing who want meaningful repertoire beyond standard seasonal fare. This piece works equally well for choirs with predominantly SAB voices or those willing to doubling parts, making it a practical choice for school ensembles of varying ability levels.

How to get the most out of it

Balance the unison opening with warmth and focus; the melody's effectiveness depends on unified vowels and steady breath support across all three parts before the texture expands.
Prepare the canon transition carefully by rehearsing each voice part independently first, then layer them incrementally so singers understand where their line fits within the larger harmonic structure.
Shape the dynamic arc deliberately, allowing the swell into canon to build organically rather than forcing volume; let the music breathe as it fades into the English text.
If using the recorded accompaniment, have singers listen to it beforehand and mark their cutoffs clearly, since the piano part guides the return to unison in the final phrase.

How to use it

Program this as a centerpiece for a Hanukkah concert, or use it as a bridge piece during a winter program that honors multiple faith traditions. Its brief length and emotional restraint make it an effective palate cleanser between higher-energy selections or a poignant closing number that leaves audiences in reflective silence.