Hey Taxi!: Score Sheet Music Preview

Hey Taxi!: Score

By Victor López

Grade: 1 (Easy)

Item: 00-PR-0004977

Digital Download
$8.00
Description
The straight-eighth rock groove is easy for the rhythm section and incorporates the sound of honking taxi horns! A solo section that is written-out for winds with flexibility for one, some, or all wind players. It even has lyrics: "Hey Tax-i!" A clever chart that is fun to play and accessible to all young players.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hey Taxi!: Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Jazz Beginnings Series
Publisher: Alfred Music
Page Count: 82
SKU: 00-PR-0004977

More about this title

About the Composer: Victor López

Victor López is a composer and arranger whose work spans concert band, wind ensemble, and jazz ensemble literature. His writing for young ensembles balances accessibility with musical substance, creating pieces that engage students while building foundational skills. López has become known in music education circles for his ability to craft arrangements and original works that make learning feel effortless.

Why we love this

This chart proves that Grade 1 doesn't mean simplistic. The straight-eighth rock groove sits perfectly under young players' fingers, but the added layer of honking taxi horns and singable lyrics transforms a basic rhythm section pattern into something with personality and fun. It's the kind of piece that keeps ensemble members engaged while building confidence.

What to expect

Bright, urban energy. The straight-eighth rock groove generates immediate forward momentum while the taxi horn punctuation adds playful New York street jazz flair. It's the sound of music that doesn't take itself too seriously but takes its groove completely seriously.

Who it's for

Beginning jazz ensemble students ready to move beyond purely technical exercises and into material with groove and character. This works for middle school or young high school ensembles establishing their first jazz program, as well as for experienced younger players building their jazz vocabulary.

How to get the most out of it

  • Keep the rhythm section locked and steady on the groove. The entire chart depends on a solid, unrushed eighth-note feel from drums, bass, and piano.
  • Balance the taxi horn sound carefully during those interjections. Young players often overplay effects like these; remind them the texture supports rather than dominates.
  • Assign the wind solo section strategically based on your section's strengths. Writing it out for all parts lets you pull individual or paired soloists forward as needed.
  • Have the ensemble speak or sing the "Hey Taxi!" lyric section together before adding instruments. It clarifies the rhythmic placement and creates ensemble ownership of the melody.

How to use it

Use this early in the year as a morale builder when your jazz ensemble is forming. It establishes that jazz ensemble is fun and accessible without sacrificing musicality. It also pairs well on a concert with other early-grade jazz standards that showcase rhythm section work and call-and-response textures.

Skills your students will build

  • Straight-eighth rock groove and swing feel differentiation
  • Ensemble cohesion in rhythm section and wind blend
  • Written-out solo interpretation and flexibility
  • Listening and responding to ensemble cues while playing a line

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