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Heritage: Concert Band Score

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Heritage: Concert Band Score

Score

By Shawn E. Okpebholo

Item: 98-EP68748

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Description

Shawn Okpebholo's Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties.

The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song:

Ekine leleyea do obhimen la doeki nalo.

(My investment in you is paid off. Because of your hard work, your future is bright)

Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian.

Orchestration:

1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe 1, 1 Oboe 2, 1 Clarinet in E-flat, 3 Clarinet 1 in B-flat, 3 Clarinet 2 in B-flat, 3 Clarinet 3 in B-flat, 2 Bass Clarinet 1 and 2, 1 Bassoon 1, 1 Bassoon 2, 1 Alto Saxophone 1, 1 Alto Saxophone 2, 1 Tenor Saxophone, 1 Baritone Saxophone, 1 Trumpet 1 in B-flat, 1 Trumpet 2 in B-flat, 1 Trumpet 3 in B-flat, 1 Trumpet 4 in B-flat, 1 Horn 1 in F, 1 Horn 2 in F, 1 Horn 3 in F, 1 Horn 4 in F, 1 Trombone 1, 1 Trombone 2, 1 Bass Trombone, 1 Euphonium 1, 1 Euphonium 2, 2 Tuba 1 and 2, 1 String Bass, 1 Percussion 1, 1 Percussion 2, 1 Drum Kit, 1 Bongos, 1 Congas, 1 Horn 1 in E-flat, 1 Horn 2 in E-flat, 1 Horn 3 in E-flat, 1 Horn 4 in E-flat, 1 Trombone 1 (B-flat treble clef), 1 Trombone 2 (B-flat treble clef), 1 Bass Trombone (B-flat treble clef), 1 Euphonium 1 (B-flat treble clef), 1 Euphonium 2 (B-flat treble clef), 2 Tuba 1 and 2 (B-flat treble clef), 2 Tuba 1 and 2 (E-flat treble clef)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-30-076228-3
ISBN13: 979-0-30-076228-9
SKU: 98-EP68748

More about this title

About the Composer: Shawn E. Okpebholo

Shawn E. Okpebholo is a composer whose work draws deeply from ethnomusicological research and cultural heritage. His compositions integrate traditional African musical elements with contemporary concert music idioms, reflecting his scholarly engagement with non-Western music systems and his commitment to bringing underrepresented voices into the concert band and orchestral repertoire.

Okpebholo's approach to composition centers on authenticity and respect for source material. Rather than exoticizing the cultures he explores, his music functions as a bridge between musical traditions, inviting ensembles and audiences to experience the complexity and artistry of the music he studies firsthand.

Why we love this

Heritage succeeds because it doesn't treat cultural material as decoration. The incorporation of Esan language, melodic themes rooted in Nigerian tradition, and West African rhythmic textures creates an experience that feels both grounded and expansive. Your band will engage with real music-making practices rather than a pastiche, and the work's revision history (originally commissioned for a national convention and dedicated to Harry Begian) speaks to its durability and respect within the wind band community.

What to expect

Heritage unfolds as a journey rather than a spectacle. The work builds from intimate moments of reflection into passages of celebratory energy, all tethered to a foundational melodic voice drawn from the composer's own cultural heritage. You'll hear the bright independence of individual instrumental lines, the richness of layered rhythms, and moments of striking simplicity that land with real impact.

Who it's for

Bands at the high school and college level looking to expand their repertoire with contemporary American music that engages meaningfully with cultural material. Directors seeking substantial concert pieces that invite both musicians and audiences to listen closely and think deeply about the relationships between musical traditions.

How to get the most out of it

  • Approach the Esan language chanting as a serious musical moment rather than novelty. Spend rehearsal time clarifying pronunciation and understanding the meaning of the text your musicians are singing. When players know what the words mean, the emotional weight of the work becomes apparent.
  • Balance the West African percussion colors (which emerge at key structural moments) with your ensemble's core sound. These are not meant to overpower but to create textural contrast and authentic rhythmic foundation.
  • Pay close attention to moments where traditional melodic themes pass between instrumental families. These transitions can blur together if the inner voices aren't clearly voiced; mark your parts accordingly so the journey of the thematic material stays visible.

How to use it

Program Heritage as a centerpiece of a concert exploring cultural identity or contemporary American composition. Its length and musical substance make it suitable as a concert's anchor work, and its meaningful engagement with source material opens doors for pre-concert talks or program notes that deepen audience connection. The work also pairs well with other contemporary pieces that challenge conventional concert band sound.

Skills your students will build

  • Balancing independence within complex rhythmic layers
  • Executing precise intonation across multiple sustained harmonic colors
  • Responding to non-traditional text and language integration in instrumental music
  • Recognizing and articulating thematic material as it migrates across ensemble sections
  • Interpreting cultural musical context without stereotyping or exoticizing

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